Never heard of this film this morning (or March 2017, when I typed up this review), discovered while doing research in work by accident, honest, found it on YouTube, watched it. The wonders of the modern world never cease to amaze me.
This is a Hercules film made by Italian master Mario Bava, starring Christoper Lee! It's good before you even start watching it. Bava is very clever when it comes to cinematography, so you get loads of trick camera shots, great use of colour, amazing sets, and the guy knows that no one comes to these films for acting or political subtext. We want to see Herc smash things up, dammit!
Herc and his best mate Thesus return to Italian to find Christopher Lee in charge and Herc's missus out of her head, muttering and not noticing Herc is standing in front of her. Lee's all sympathetic even though he was keeping her in a coffin while murdering people he'd hired to kill Herc (by impaling them on about 20 spikes).
Herc figures somehow that he has to go to Hades to retrieve Pluto's stone to help his missus, but to get to hell he'll need to get the golden apple of the Aiedes, and to get that he'll need to get a special boat off of someone else! Bava luckily just piles on the crazy special effects until we just roll with the film instead of trying to figure out what's going on.
Herc gets his ship, gets to the Aiedes, makes a massive slingshot and gets his golden apple! Mean while his mates are being attacked by a huge monster made out of stone but that just gives Herc the chance to throw the monster through a wall, exposing the entrance to Hades!
Oh, after some trials, Herc gets his stone, but his mate Thesus has fallen in love with Pluto's daughter Persephone, which leads to all sorts of misery for everyone. So Herc's got crazy Christopher Lee trying to sacrifice his missus, the God Pluto hating on everyone, his mate Thesus trying to cut him up, and worst of all, a bunch of flying zombie ghouls after him. That last one came out of nowhere but was most welcome as it gave Herc the chance to throw huge rocks around the place.
600,000 times better than any other Hercules/Maciste film I've watched from the sixties (but nowhere near the insanity of the two Lou Ferringo eighties Hercules film), this one benefits largely from having a true expert behind the camera, and another, lesser expert by the name of Joe D'Amato backing him up. Joe of course will go on to forge his own legacy in film with the great self-gut munching classic Anthropophagus and the classic post-apocalyptic film Endgame (plus endless porn films).
Two things: Christopher Lee gets burned to a crisp by the sun, just like the last film I watched him in, and after a rather bloody murder involving the slashing of a girl's neck, Lee's face is revealed in the resulting pool of blood EXACTLY like David Hemming's face is reflected in the blood of the killer at the end of Dario Argento's Profondo Rosso. Coincidence?
This is a Hercules film made by Italian master Mario Bava, starring Christoper Lee! It's good before you even start watching it. Bava is very clever when it comes to cinematography, so you get loads of trick camera shots, great use of colour, amazing sets, and the guy knows that no one comes to these films for acting or political subtext. We want to see Herc smash things up, dammit!
Herc and his best mate Thesus return to Italian to find Christopher Lee in charge and Herc's missus out of her head, muttering and not noticing Herc is standing in front of her. Lee's all sympathetic even though he was keeping her in a coffin while murdering people he'd hired to kill Herc (by impaling them on about 20 spikes).
Herc figures somehow that he has to go to Hades to retrieve Pluto's stone to help his missus, but to get to hell he'll need to get the golden apple of the Aiedes, and to get that he'll need to get a special boat off of someone else! Bava luckily just piles on the crazy special effects until we just roll with the film instead of trying to figure out what's going on.
Herc gets his ship, gets to the Aiedes, makes a massive slingshot and gets his golden apple! Mean while his mates are being attacked by a huge monster made out of stone but that just gives Herc the chance to throw the monster through a wall, exposing the entrance to Hades!
Oh, after some trials, Herc gets his stone, but his mate Thesus has fallen in love with Pluto's daughter Persephone, which leads to all sorts of misery for everyone. So Herc's got crazy Christopher Lee trying to sacrifice his missus, the God Pluto hating on everyone, his mate Thesus trying to cut him up, and worst of all, a bunch of flying zombie ghouls after him. That last one came out of nowhere but was most welcome as it gave Herc the chance to throw huge rocks around the place.
600,000 times better than any other Hercules/Maciste film I've watched from the sixties (but nowhere near the insanity of the two Lou Ferringo eighties Hercules film), this one benefits largely from having a true expert behind the camera, and another, lesser expert by the name of Joe D'Amato backing him up. Joe of course will go on to forge his own legacy in film with the great self-gut munching classic Anthropophagus and the classic post-apocalyptic film Endgame (plus endless porn films).
Two things: Christopher Lee gets burned to a crisp by the sun, just like the last film I watched him in, and after a rather bloody murder involving the slashing of a girl's neck, Lee's face is revealed in the resulting pool of blood EXACTLY like David Hemming's face is reflected in the blood of the killer at the end of Dario Argento's Profondo Rosso. Coincidence?