When I was a kid, I remember asking my dad what movies he thought were scary. He answered Night of the Living Dead and Gargoyles, so I was always nervous to watch this movie. It just looked strange and in the late 70s, it wasn't like I could on demand find it. Even today, it's hard to find on DVD (but YouTube is a whole different story).
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Originally airing on CBS on November 21st, 1972, it was directed by Bill L. Norton (Baby: Secret of the Lost Legend, More American Graffiti) and written by Steven and Elinor Karpf (Devil Dog: The Hound from Hell, The Jayne Mansfield Story), Gargoyles may be uneven, but has moments of pure joy.
It's one of the first films Stan Winston (Terminator, Aliens) worked on, providing a variety of gargoyle makeup. The look of the creatures is wonderful, as they don't all look the same. And the leader (Bernie Casey (Felix Leiter in Never Say Never Again, UN Washington in Revenge of the Nerds) has the perfect look that balances a regal bearing with an otherworldly aura. You can see why this won an Emmy. It's big budget worthy work on a shoestring budget.
Speaking of budget, the film was shot with just one camera over 18 days; a fact that chased away the original director. Temperatures at the Carlsbad, NM location baked the cast and crew, reaching 100 degrees or more the entire shoot. So it's amazing that what emerged is so interesting.
Read more at http://bit.ly/2xXAaGS
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Originally airing on CBS on November 21st, 1972, it was directed by Bill L. Norton (Baby: Secret of the Lost Legend, More American Graffiti) and written by Steven and Elinor Karpf (Devil Dog: The Hound from Hell, The Jayne Mansfield Story), Gargoyles may be uneven, but has moments of pure joy.
It's one of the first films Stan Winston (Terminator, Aliens) worked on, providing a variety of gargoyle makeup. The look of the creatures is wonderful, as they don't all look the same. And the leader (Bernie Casey (Felix Leiter in Never Say Never Again, UN Washington in Revenge of the Nerds) has the perfect look that balances a regal bearing with an otherworldly aura. You can see why this won an Emmy. It's big budget worthy work on a shoestring budget.
Speaking of budget, the film was shot with just one camera over 18 days; a fact that chased away the original director. Temperatures at the Carlsbad, NM location baked the cast and crew, reaching 100 degrees or more the entire shoot. So it's amazing that what emerged is so interesting.
Read more at http://bit.ly/2xXAaGS