... about Little League baseball pitcher Chuck (Joshua Zuehlke) who, after taking a tour of a nuclear missile silo, has a terrible dream about nuclear Armageddon that inspires him to refuse to pitch anymore games as long as nuclear missiles exist in the world.
His story gets picked up nationally, where it strikes a chord with NBA superstar "Amazing Grace" Smith (Alex English). He decides to refuse to play as well, and he moves to Chuck's small hometown. They are soon joined by more professional athletes, as the world's sportspeople all take up the cause. Their innocent campaign has consequences, though, such as angry locals, as well as disapproval from the highest levels of power.
Co-starring William L. Petersen and Frances Conroy as Chuck's parents, Jamie Lee Curtis as Amazing Grace's sports agent, Lee Richardson as a shady financier and power-broker, and, in his first big screen role in 7 years, Gregory Peck as the U.S. president.
This is silly stuff, operating at a child's level of naivete. The message is a nice one, if in no way practical. There were a few of these anti-nuke films in the waning days of the Cold War, and most were terrible. The acting is passable in this one, if nothing memorable, and there aren't any stand-out moments scriptwise, either. It's technically well-made, with Robert Elswit on cinematography and Elmer Bernstein providing the score.
Possibly worth it for a historical perspective, albeit a pedestrian one.
His story gets picked up nationally, where it strikes a chord with NBA superstar "Amazing Grace" Smith (Alex English). He decides to refuse to play as well, and he moves to Chuck's small hometown. They are soon joined by more professional athletes, as the world's sportspeople all take up the cause. Their innocent campaign has consequences, though, such as angry locals, as well as disapproval from the highest levels of power.
Co-starring William L. Petersen and Frances Conroy as Chuck's parents, Jamie Lee Curtis as Amazing Grace's sports agent, Lee Richardson as a shady financier and power-broker, and, in his first big screen role in 7 years, Gregory Peck as the U.S. president.
This is silly stuff, operating at a child's level of naivete. The message is a nice one, if in no way practical. There were a few of these anti-nuke films in the waning days of the Cold War, and most were terrible. The acting is passable in this one, if nothing memorable, and there aren't any stand-out moments scriptwise, either. It's technically well-made, with Robert Elswit on cinematography and Elmer Bernstein providing the score.
Possibly worth it for a historical perspective, albeit a pedestrian one.