8/10
Survival of the fittest and smartest !!!
9 October 2017
This might be the most stripped down, raw, grounded and realistic portrayal of a post-apocalyptic world I have ever seen in a film. Instead of the glamorised version that is offered in films like the Mad Max series and others, 'The Survivalist' pulls no punches and gives us a very detailed and methodical look into what it requires to survive in a world like this. Unlike the decrepit and broken down representations of post-apocalyptic worlds that are found in other films, the world in 'The Survivalist' looks really beautiful and bountiful. The director Stephen Fingleton categorically juxtaposes the prosperity of nature with the desperation for survival of the characters in the film. It underlines nature's indifference to human suffering reminiscent of Satyajit Ray's 'Distant Thunder'.

What I really liked about 'The Survivalist' is the very very economical use of dialogue. Dialogue is used very very infrequently and so much of the storytelling takes place through visuals. The heavy reliance on visuals, ambient noises and sound effects to convey the protagonist's methodical approach to surviving in this tough, merciless world, really reminded me of J.C. Chandor's 'All Is Lost' starring Robert Redford. But then once the women arrive at his doorstep, the tone changes. After that, we get into an immensely interesting exploration of power dynamics, compromise and collaboration. Fingleton brilliantly confronts us with the central dilemma of the film that plagues the protagonist - whether to rigidly stick to his code for survival or compromise and give in to his needs for physical intimacy after 7 years of living in isolation. I believed and enjoyed the dynamics between the three characters and the cat & mouse game they play between each other to gain supremacy in the power struggle.

Just like a few other post-apocalyptic films like 'The Road' or 'Children of Men', 'The Survivalist' ends on a optimistic note which somewhat comes out of nowhere and can seem like a bit of a cop out. But I can completely understand why Fingleton opted to end the film like that and I also appreciate how that ending ends up glorifying a certain sacrifice that a character makes just before it, but I probably would've loved a brutally realistic ending, more in keeping with the rest of the movie.

The performances from all the three actors playing the central characters, namely Martin McCann, Mia Goth and Olwen Fouéré are all great.

Highly Recommended.
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