Adapted from socialist B. Traven's story of the same name, the film is a artistic masterpiece. The direction, acting are superb. The cinematography is moving and haunting. The trees, the sparseness of the village, even the expression on the actors' faces-all are moving-all are memorable.
Have you ever wanted anything in life, something you could just call your own? As Macario's wife admits to her husband she has also wanted something just for herself that she didn't have to share and gives him a turkey she stole that could have cost her her life so he can fulfill his desire to eat a turkey all to himself. For all of Macario's life he has always known nothing, but hunger as has his wife, his children and fellow villagers. However, Macario is a good man and cannot eat whole turkey without ultimately sharing. He is approached by the Devil, God, and what appears a very hungry man with whom does he share his turkey, but why?
Poverty, wealth, and racism all are shown here. The story takes place in Mexico during Spanish rule. Whereas the white Spanish ruling elite, shown to be greedy, cynical, arrogant, and inhuman, are wealthy and want for nothing; the local indigenous people, who maybe all honest and hard-working, are forced to starve and live in a dry, sparse desert with barely-thatched roofs, praying to God for justice rather than creating it. The same cinematographer that photographed Brunel's films in Mexico was also the cinematographer of this film. Perhaps, that's why it seems to be an odd mix combining the social criticism of Brunel's Los Olvidados along with the existentialism of Bergman's 7th Seal. Intellectually profound in its depiction of economic injustice in this world, it moves the viewer to comment. As the candle-maker tells Macario, "We are born to die We spend most of our time dead." It is in contemplating death that we understand life in so far as we have only one; and it is this that makes us question injustice. The near to last scene is unforgettable. Few scenes are as memorable: J'Accuse, the 7th Seal, Ordet are the rare exceptions along with this film. It leaves is with 2 burning questions : What is life? Is it nothing more than a candle that burns for awhile then is spent? What is justice? In a Capitalist world can it be anything more than a concept that like an object can be bought and sold with money?
Have you ever wanted anything in life, something you could just call your own? As Macario's wife admits to her husband she has also wanted something just for herself that she didn't have to share and gives him a turkey she stole that could have cost her her life so he can fulfill his desire to eat a turkey all to himself. For all of Macario's life he has always known nothing, but hunger as has his wife, his children and fellow villagers. However, Macario is a good man and cannot eat whole turkey without ultimately sharing. He is approached by the Devil, God, and what appears a very hungry man with whom does he share his turkey, but why?
Poverty, wealth, and racism all are shown here. The story takes place in Mexico during Spanish rule. Whereas the white Spanish ruling elite, shown to be greedy, cynical, arrogant, and inhuman, are wealthy and want for nothing; the local indigenous people, who maybe all honest and hard-working, are forced to starve and live in a dry, sparse desert with barely-thatched roofs, praying to God for justice rather than creating it. The same cinematographer that photographed Brunel's films in Mexico was also the cinematographer of this film. Perhaps, that's why it seems to be an odd mix combining the social criticism of Brunel's Los Olvidados along with the existentialism of Bergman's 7th Seal. Intellectually profound in its depiction of economic injustice in this world, it moves the viewer to comment. As the candle-maker tells Macario, "We are born to die We spend most of our time dead." It is in contemplating death that we understand life in so far as we have only one; and it is this that makes us question injustice. The near to last scene is unforgettable. Few scenes are as memorable: J'Accuse, the 7th Seal, Ordet are the rare exceptions along with this film. It leaves is with 2 burning questions : What is life? Is it nothing more than a candle that burns for awhile then is spent? What is justice? In a Capitalist world can it be anything more than a concept that like an object can be bought and sold with money?