When teenage outcast Ronald Wilby (Scott Jacoby) accidentally kills a young girl, his overprotective mother Elaine (Kim Hunter) comes up with an unusual way to keep her son out of the hands of the law: she instructs Ronald to turn their guest bathroom into a hideaway, covering up the doorway with plasterboard and wallpaper and creating a secret entrance in the pantry.
When the police inevitably turn up, his mother tells them that her son has left home and that she doesn't know his whereabouts. Her intention is to keep up the pretence until the time comes when she can move away with her son without raising suspicion. In the meantime, Ronald occupies his time by drawing characters from his fictional fantasy realm of Atranta.
Things goes awry, however, when Elaine has to go into hospital for an operation and dies while under the knife. Her presumably empty house is sold to a new family, the Woods, and Ronald is forced to sneak out whenever possible to find food. Eventually, the lad loses his grip on reality, retreating into his imaginary world, and becomes obsessed with the youngest Wood daughter (Cindy Fisher), who he believes is a princess who must come and live with him in Atranta.
Bad Ronald is a made-for-TV movie and, as such, doesn't exactly push the envelope (no gore or nudity here, folks); despite this, it still manages to be both creepy and bizarre enough to appeal to the cult crowd. The premise might be a bit far-fetched at times, Ronald managing to remain undiscovered even when sharing the house with a new family (wouldn't they hear him flushing the toilet?), but solid performances and great direction make it easy to overlook the film's sillier moments (the worst of which involve cartoonish snoop of a neighbour Mrs. Schumacher, overplayed by Linda Watkins).
Towards the end, Bad Ronald changes from quirky drama to tense thriller, with the now unhinged Ronald chasing 'princess' Babs through the house (director Buzz Kulik proving particularly fond of the 'upskirt' shot).
6.5 out of 10, rounded up to 7 for IMDb.
When the police inevitably turn up, his mother tells them that her son has left home and that she doesn't know his whereabouts. Her intention is to keep up the pretence until the time comes when she can move away with her son without raising suspicion. In the meantime, Ronald occupies his time by drawing characters from his fictional fantasy realm of Atranta.
Things goes awry, however, when Elaine has to go into hospital for an operation and dies while under the knife. Her presumably empty house is sold to a new family, the Woods, and Ronald is forced to sneak out whenever possible to find food. Eventually, the lad loses his grip on reality, retreating into his imaginary world, and becomes obsessed with the youngest Wood daughter (Cindy Fisher), who he believes is a princess who must come and live with him in Atranta.
Bad Ronald is a made-for-TV movie and, as such, doesn't exactly push the envelope (no gore or nudity here, folks); despite this, it still manages to be both creepy and bizarre enough to appeal to the cult crowd. The premise might be a bit far-fetched at times, Ronald managing to remain undiscovered even when sharing the house with a new family (wouldn't they hear him flushing the toilet?), but solid performances and great direction make it easy to overlook the film's sillier moments (the worst of which involve cartoonish snoop of a neighbour Mrs. Schumacher, overplayed by Linda Watkins).
Towards the end, Bad Ronald changes from quirky drama to tense thriller, with the now unhinged Ronald chasing 'princess' Babs through the house (director Buzz Kulik proving particularly fond of the 'upskirt' shot).
6.5 out of 10, rounded up to 7 for IMDb.