RELEASED IN 1975 and written/directed by Charles Pierce, "Winterhawk" chronicles events in western Montana in the 1840s when small pox breaks out in a remote tribe of Blackfoot. The titular chief (Michael Dante) goes to the New Americans to apprehend a remedy, but things don't go well and a movie-length chase ensues. Dawn Wells from Gilligan's Island plays the female lead while Leif Erickson plays a mountain man who's friends with the Blackfoot. Woody Strode, Denver Pyle, L.Q. Jones & Elisha Cook Jr. have peripheral roles.
While watching, I was reminded of 1977's "Grayeagle" and therefore wasn't surprised to discover that Pierce made both films. "Grayeagle" is superior, though, and it shows that Pierce learned a thing or two while making this one two years earlier.
The movie has its points of interest, like a notable cast, with great alpine locations and moments of aesthetic wonder. But it's marred by a sometimes draggy vibe with overly syrupy moments and a blaring piano-oriented score that starts to grate due to its booming redundancy. Moreover, Winterhawk (the character) is depicted as excessively mysterious, noble and superhuman, not to mention more time needed spent on his group in the chase for the simple sake of human interest. If you can handle these cavils, however, this is a worthwhile Western.
Some have pointed out that "Winterhawk" is noteworthy because of its respectful view of Native Americans (who aren't really 'native' since their ancestors emigrated from Asia), yet pro-Indian Westerns actually go back to "Buffalo Bill" (1944), "Fort Apache" (1948), "Broken Arrow" (1950) and "The Last Wagon" (1956), not to mention the more contemporaneous "A Man Called Horse" (1970) and "I Will Fight No More Forever" (1975).
THE FILM RUNS 98 minutes and was shot in Kalispell & Browning, Montana, and Durango & Silverton, Colorado.
GRADE: B-
While watching, I was reminded of 1977's "Grayeagle" and therefore wasn't surprised to discover that Pierce made both films. "Grayeagle" is superior, though, and it shows that Pierce learned a thing or two while making this one two years earlier.
The movie has its points of interest, like a notable cast, with great alpine locations and moments of aesthetic wonder. But it's marred by a sometimes draggy vibe with overly syrupy moments and a blaring piano-oriented score that starts to grate due to its booming redundancy. Moreover, Winterhawk (the character) is depicted as excessively mysterious, noble and superhuman, not to mention more time needed spent on his group in the chase for the simple sake of human interest. If you can handle these cavils, however, this is a worthwhile Western.
Some have pointed out that "Winterhawk" is noteworthy because of its respectful view of Native Americans (who aren't really 'native' since their ancestors emigrated from Asia), yet pro-Indian Westerns actually go back to "Buffalo Bill" (1944), "Fort Apache" (1948), "Broken Arrow" (1950) and "The Last Wagon" (1956), not to mention the more contemporaneous "A Man Called Horse" (1970) and "I Will Fight No More Forever" (1975).
THE FILM RUNS 98 minutes and was shot in Kalispell & Browning, Montana, and Durango & Silverton, Colorado.
GRADE: B-