6/10
Impressive cinematography, mise en scène, & performances cannot overshadow the depressing pacing & plot.
4 September 2017
Warning: Spoilers
I wanted to really like this. I really did. Luscious scenery, amazing long shots, admirable mise en scène, lovely cinematography. Excellent acting from the two main actors. First, the well known Max von Sydow as a frustratingly timid father that we somehow hate while loving. Through Sydow's skilled performance, we can see how much he loves his son, yet not enough to overcome his cowardliness. Then we have young Pelle, played by Pelle Hvenegaard. No, not a complete coincidence. The actor was actually named after the character he is playing; the film is based on Martin Andersen Nexø's 1906 novel by the same name, Volume 1/4. Maybe this motivated the actor to give such an impressive debut performance.

Aside from all this, however, the sum is less than its parts. This coming of age story has very little humor and even less moments to truly smile during. One terrible thing after another, the only predictable thing being that something else bad or worse is sure to come next. I have never been one to demand or even ask for fairy tale endings. Indeed, I actually appreciate the more realistic examinations of life. Unfortunately, there is a right way to do this and a wrong way to do this, and somehow "Pelle the Conquerer" fell short.

During the course of the film, young Pelle is tormented by his schoolmates and humiliated by the apprentice overseer; a girl gives birth to her employer's son's bastard child and is dragged off to prison for murdering it; the son, who really killed the baby, sacrifices himself while trying to rescue a ship in a storm; some new emigrants turn up frozen to death in a boat, the local mutant halfwit lets Pelle whip him with stinging nettles for half a crown; the only rebellious farmhand gets bashed in with a rock and turned into a shuffling retard; the landowner's miserable wife lobs her husband's penis (Yes, you read correctly); Lasse thinks he will have a cushy berth married to a comfortable widow but her husband comes back alive; the halfwit runs away to the sideshow; the schoolmaster drops dead in class and Pelle finally decides enough is enough and leaves through the snowy wastes to an indefinite future chronicled in three more books and presumably future films. Except there are no other films; only the books.

The result is a film that was not paced well, with many what the ? moments and a whole lot of depressing ones.

The good did not outweigh the bad in this film that could have been far better.
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