Good deeds better be their own reward since they can easily backfire as the movie shows. Poor Mark Sabre (Pidgeon) undergoes something of a mid-life dedication to doing good for others above everything else. Maybe it's a reaction to his cold-hearted wife (Lansbury) or renewed affection for now married former flame Nona (Kerr). Whatever the reason, circumstances are conspiring to ruin him because of his kindness. So how will things finally sort out.
It's the kind of production MGM specialized in—classy players in classy surroundings (British). Nonetheless, the topic of unwed motherhood was rather daring for its time, figuring quietly but importantly in the plot here. It's Britain 1939 and civil society is responding to WWII mobilization, including the small town of Pennygreen, whose sons are suddenly marching off to war. While on the homefront, volunteers are flocking to boost civil defense.
The movie's first part meanders some, appearing to head in one direction— namely, straightening out Sabre's love life. But then his lady-love Kerr largely disappears from screen, gone into civil defense. At the same time, the second part changes direction, picking up in suspense, when the unlucky Effie enters the picture. Because of Sabre's selfless attitude, we can't be sure how the movie will end. Still, I wonder if there isn't a backstory to Kerr's abrupt absence and the resulting shift of direction.
Anyway, in my book, a youthful Leigh steals the film with a highly sensitive turn as the star-crossed Effie. It's easy to see why she climbed the Hollywood ladder so quickly. At the same time, the unknowns playing High Jinx and Low Jinx manage to spark proceedings with their imaginative character concepts. Of course, vets like Pigeon and Kerr come through on cue, while Lansbury's stony wife would send any guy packing.
All in all, it's well done soap opera with a few surprises that should please fans of tangled relationships.
It's the kind of production MGM specialized in—classy players in classy surroundings (British). Nonetheless, the topic of unwed motherhood was rather daring for its time, figuring quietly but importantly in the plot here. It's Britain 1939 and civil society is responding to WWII mobilization, including the small town of Pennygreen, whose sons are suddenly marching off to war. While on the homefront, volunteers are flocking to boost civil defense.
The movie's first part meanders some, appearing to head in one direction— namely, straightening out Sabre's love life. But then his lady-love Kerr largely disappears from screen, gone into civil defense. At the same time, the second part changes direction, picking up in suspense, when the unlucky Effie enters the picture. Because of Sabre's selfless attitude, we can't be sure how the movie will end. Still, I wonder if there isn't a backstory to Kerr's abrupt absence and the resulting shift of direction.
Anyway, in my book, a youthful Leigh steals the film with a highly sensitive turn as the star-crossed Effie. It's easy to see why she climbed the Hollywood ladder so quickly. At the same time, the unknowns playing High Jinx and Low Jinx manage to spark proceedings with their imaginative character concepts. Of course, vets like Pigeon and Kerr come through on cue, while Lansbury's stony wife would send any guy packing.
All in all, it's well done soap opera with a few surprises that should please fans of tangled relationships.