Review of Get Out

Get Out (I) (2017)
5/10
Vastly overrated
15 July 2017
Warning: Spoilers
This movie seems to have gone viral and has gotten an inordinate amount of views and praises, and there is indeed a lot to like, especially in its atmosphere, some little horror details, and how it was filmed in old-school style, but in the end it is just another sloppily written brainless modern movie with huge plot holes.

It is also unoriginal and predictable. It is basically a black version of The Stepford Wives with an added twist.

A black guy and his white girlfriend go to meet her family, and gradually uncover very strange goings on, especially with the very bizarre and creepy behaviour by the black people working for the family.

*spoilers*

First there is the idiotic and obviously ego-driven concept that all white people in this movie worship the black physique enough to want a black body for themselves. I'm sure I don't have to point out how this is untrue and awkwardly egotistical on the part of the film-maker, not to mention the well known statistic that black people have a much higher number of health problems. On top of that, this movie drives the point once again of how badly black people are treated in society, so why on earth would a white person want to become one according to its own logic?

Then there's the head-scratching plot point where they transplanted their grandma and grandpa into black people's bodies, except they turned them into brainwashed slaves. Obviously someone switched plots midway through the movie and didn't think things through...

These aren't just plot holes, they kill the whole backbone of the movie.

Not to mention the happy ending that is in denial. The very next day, obviously he would be arrested for mass murder.

P.S. Those of you blindly repeating the complaint about the cotton and how he managed to get it in his ears... This is actually NOT a plot hole. His hands were tied, but his head and upper body clearly weren't and he even visibly bent down towards the cotton at the end of the scene.
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