As director and actor Erich Von Stroheim did some very weird films and The Great Gabbo is certainly one of them. In this Von Stroheim is a star attraction in a Ziegfeld Follies type stage review and he is fixated on Betty Compson who used to be his assistant in his act, but walked out on him because he treated her shabbily.
Now she is keeping company with Donald Douglas a young hoofer in the show. He's actually upset as well with her interest in Von Stroheim.
In a way it's hard to review this because just the name of Erich Von Stroheim brings up images of barbaric cruelty show on the screen. The name alone is sufficient to conjure up horrible images.
So Von Stroheim wants to set up house with her and his dummy Otto. As in most ventriloquist stories the dummy functions as an alter ego.
All this with the backdrop of a Ziegfeld type show. That was interesting and like Glorifying The American Girl, The Great Gabbo is a nice filmed record of what these shows were like on stage.
Although Von Stroheim is always interesting, The Great Gabbo's best value is as a record of the type musical revue so popular back then.
Now she is keeping company with Donald Douglas a young hoofer in the show. He's actually upset as well with her interest in Von Stroheim.
In a way it's hard to review this because just the name of Erich Von Stroheim brings up images of barbaric cruelty show on the screen. The name alone is sufficient to conjure up horrible images.
So Von Stroheim wants to set up house with her and his dummy Otto. As in most ventriloquist stories the dummy functions as an alter ego.
All this with the backdrop of a Ziegfeld type show. That was interesting and like Glorifying The American Girl, The Great Gabbo is a nice filmed record of what these shows were like on stage.
Although Von Stroheim is always interesting, The Great Gabbo's best value is as a record of the type musical revue so popular back then.