Arbor Demon (2016)
8/10
Should be Applauded for Offering Something Different to the Norm
17 March 2017
Arbor Demon (2016)

It's not often the case that I am presented with a title to review that I know very little about in advance, especially in this age of media saturation, but with Arbor Demon I knew zilch. However, as I fancied a change from the wodge of zombie flicks I had been inflicted with of late, I took comfort in the presence of the word 'demon' in the title and stuck it on. Initially Arbor Demon played like yet ANOTHER in the other currently over-saturated sub-genre of found-footage but fortunately it was not to be, and whilst far from perfect Arbor Demon made for a refreshing change and was all the welcome for simply offering something different and being confident enough to successfully pull it off.

Young couple Dana and Charles (Fiona Dourif and Kevin Ryan) go camping at his insistence that doing so would afford them the opportunity reconnect with each other. You wouldn't guess that any reconnecting was necessary from the set-up but apparently it is (I suppose there wouldn't be a camping trip otherwise and a rather short empty movie being the result). Dana is pregnant and keeping the news a secret from Charles, the reason? Charles has told her that they aren't the sort of couple that have children. As the film opened with a heavily pregnant woman being pursued through woodland, before something unseen closed in on her, it would appear that something similar may happen for Dana later in the woods, given that she too is expecting.

After a bunch of rowdy bikers/hunters are wiped out by something unseen Dana and Charles find themselves trapped within the tight confines of their tent. They are soon joined by a wounded man Sean (Jake Busey), the only survivor of the bloody attack. During their conversation with the rather obnoxious Sean, our young couple learn more about what maybe lurking outside the flimsy trappings of their tent and fortunately for us it's as much a surprise for us as it is for the characters making Arbor Demon a superior creature feature.

For a genre critic, who sometimes feels that he has seen it all before, Arbor Demon (originally entitled as Enclosure) made for a welcome relief from the norm. It reminded a little of 1990's The Guardian, not tonally or quality-wise fortunately, but more in the respect that it's a horror story tying into nature. Director Patrick Rea, along with co-writer Michelle Davidson, prove rather heavy-handed with the exposition and early nods as to what may come, but otherwise both have succeeded in delivering something unique in a marketplace afraid to deliver outside of the established comfort zone.
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