Seeing this, without exaggeration, a brilliant film by Eldar Ryazanov, I first thought of how valuable in a human's life can be love. It is a feeling that cannot be expressed in words and to understand the mind — you need to trust only your heart. This feel really changes the man, it reveals its best features, and the inclination of the face, which he had not even suspected — it happened with the main characters Anatoly Efremovich and Ludmila Prokofievna (Alisa Freindlich and Andrey Myagkov perfectly demonstrated the fullness of the feelings of the two lovers). Svetlana Nemolyaeva was also incredibly sincere — I got her a feeling of emptiness and ordinariness of everyday life, the desire to return to the past and a terrible disappointment, and from the man who once was everything to her...
Music composer Andrei Petrov and texts of the poems create a memorable impression — happiness is actually very close to us, just need to learn how to see. The eternal quest of man in the vast world itself often lead him to a standstill, and how wise and happy are those who see in man not only the outer shell, but also his mental, personal qualities (Novoseltsev), and those who use the feelings of others only for the benefit of themselves, do not know the true prices of sincere relations is empty in a moral sense (Samokhvalov).
The one and only masterpiece, which never gets old — thank you so much, Master of the human souls, Eldar Aleksandrovich Ryazanov! A modern interpretation (re-make), so-called "Office Romance: Present Day", in my opinion, even not comes close to the original film and, of course, something big and innovative is not intended.
Music composer Andrei Petrov and texts of the poems create a memorable impression — happiness is actually very close to us, just need to learn how to see. The eternal quest of man in the vast world itself often lead him to a standstill, and how wise and happy are those who see in man not only the outer shell, but also his mental, personal qualities (Novoseltsev), and those who use the feelings of others only for the benefit of themselves, do not know the true prices of sincere relations is empty in a moral sense (Samokhvalov).
The one and only masterpiece, which never gets old — thank you so much, Master of the human souls, Eldar Aleksandrovich Ryazanov! A modern interpretation (re-make), so-called "Office Romance: Present Day", in my opinion, even not comes close to the original film and, of course, something big and innovative is not intended.