Haven't seen every Kieslowski work yet (though as of now it's close), but of what has been seen all ranges between very good (the 8th episode of 'Dekalog') to masterpiece ('Three Colors: Red' and 'Blue' and the whole 'Dekalog' series). To me, he was an immensely gifted director, who died far too early.
An early effort, 'Camera Buff' is not among Kieslowski's best work, but generally it is deserving of more love. Although Kieslowski's directing style is fairly well established, remarkable for so early on, it did become more refined later on as seen with his late 80s-early 90s work. There is a preference for the more intricate-sounding music scores of his later work, this score was the kind that worked well within the film but one doesn't have the desire to hear it on its own repeatedly, and the slightly more emotional resonant and intense work like the best of the 'Dekalog' series, 'The Double Life of Veronique' and 'Three Colors: Red' and 'Blue'.
Despite how that sounds, there's actually not much wrong at all with 'Camera Buff', just that it was done better later. This said, 'Camera Buff' is a great film, regardless of what stage it was made in Kieslowski's career.
'Camera Buff', as was always the case in Kieslowski's work, is very well made. The cinematography is minimalist, but visually striking and atmospheric as well as fascinatingly personal. As well as being beautifully shot with atmospheric use of colour to match the mood, it is gritty yet beautiful with many thoughtful and emotionally powerful images lingering long into the memory. Kieslowski's direction is quietly unobtrusive, intelligently paced and never too heavy.
It's a thought-provoking film in writing, as ever thematically rich and with complex characters, the shift from initial comedy to drama expertly done rather than abrupt and jarring. Kieslowski again proves himself as a master of narrative construction, and the whole film is thoroughly engaging and suitably challenging. The acting is as always from Kieslowski marvellously nuanced and natural.
To conclude, early Kieslowski that while not one of his best is deserving of more love. 9/10 Bethany Cox
An early effort, 'Camera Buff' is not among Kieslowski's best work, but generally it is deserving of more love. Although Kieslowski's directing style is fairly well established, remarkable for so early on, it did become more refined later on as seen with his late 80s-early 90s work. There is a preference for the more intricate-sounding music scores of his later work, this score was the kind that worked well within the film but one doesn't have the desire to hear it on its own repeatedly, and the slightly more emotional resonant and intense work like the best of the 'Dekalog' series, 'The Double Life of Veronique' and 'Three Colors: Red' and 'Blue'.
Despite how that sounds, there's actually not much wrong at all with 'Camera Buff', just that it was done better later. This said, 'Camera Buff' is a great film, regardless of what stage it was made in Kieslowski's career.
'Camera Buff', as was always the case in Kieslowski's work, is very well made. The cinematography is minimalist, but visually striking and atmospheric as well as fascinatingly personal. As well as being beautifully shot with atmospheric use of colour to match the mood, it is gritty yet beautiful with many thoughtful and emotionally powerful images lingering long into the memory. Kieslowski's direction is quietly unobtrusive, intelligently paced and never too heavy.
It's a thought-provoking film in writing, as ever thematically rich and with complex characters, the shift from initial comedy to drama expertly done rather than abrupt and jarring. Kieslowski again proves himself as a master of narrative construction, and the whole film is thoroughly engaging and suitably challenging. The acting is as always from Kieslowski marvellously nuanced and natural.
To conclude, early Kieslowski that while not one of his best is deserving of more love. 9/10 Bethany Cox