The movie reminds me of a Hitchcock thriller. Of course, Hitch filmed during a period of much slower tempo, and would likely have emphasized emotional psychology over slam-bang action. Still, it's a heckuva thriller. Bourne's got more lives than a cat, and he'd better. That's because a secret agency of the US gov't has got him in their sights. Seems the poor guy was an assassin for them, but on one assignment got shot, thrown into the sea, and lost his memory. Now he's trying to find out who he is, but in the process is jeopardizing agency plans for something or other. So now they're using all their techno-wizardry to take him out. It's like banks and banks of blinking circuits on his trail. From Bourne's standpoint, it's like he's up against an entire unseen universe. Good thing he's got as many tricks up his sleeve as the agents tracking him.
I guess you could say this isn't exactly a promotional for our covert agencies. Their bureaucrats appear ruthless and unforgiving, especially headman Conklin whose neck is on the line. On the other hand, I think we sympathize more with Bourne than like him, given the bloody trail he leaves behind. Still, I like the way the screenplay eases him into the relationship with Marie, making it more credible. What I do have reservations about is that over-long and incredible car chase. Seems to me that careful use of a less can ironically add up to a significant more, a lesson this sequence needs to apply. Anyway, Damon's persuasive despite his boyish looks, while Potente gets to show her chops and in fairly subtle fashion.
All in all, the movie's a white-knuckle two hours. It also registers a popular change in how audiences view our gov't's covert agencies, plus the slimy politicians who pitch for them.
I guess you could say this isn't exactly a promotional for our covert agencies. Their bureaucrats appear ruthless and unforgiving, especially headman Conklin whose neck is on the line. On the other hand, I think we sympathize more with Bourne than like him, given the bloody trail he leaves behind. Still, I like the way the screenplay eases him into the relationship with Marie, making it more credible. What I do have reservations about is that over-long and incredible car chase. Seems to me that careful use of a less can ironically add up to a significant more, a lesson this sequence needs to apply. Anyway, Damon's persuasive despite his boyish looks, while Potente gets to show her chops and in fairly subtle fashion.
All in all, the movie's a white-knuckle two hours. It also registers a popular change in how audiences view our gov't's covert agencies, plus the slimy politicians who pitch for them.