PES' shorts have a few things in common: the use of every-day life objects and products, the presence of a vintage-naive feeling in all of them, a great sense of humour and winks to the viewer, and their shortness.
This is my favorite shorts by PES. It is not bright, it is not "foodie", it is not funny. The film is set in a deep abyssal world of fish. It is very atmospheric, with great sound, lighting, coloring and ambiance. The way PES uses old tools to create the fish is marvelous, fluid and natural; for a second one forgets that those are real tools and believes they are rare deep-water fish.
Unlike other shorts of PES, in which something happens, there is a beginning and an end, and not further exploration is necessary, this one had many possibilities to develop a story and a narrative beyond what we see. I found this short too short. It is a pity that PES decided to stop at the two-minute mark instead of going on, transcend the immediacy of the now, and create a more complex narrative.
Simple stop-animation, but excellent inventive and talent.
This is my favorite shorts by PES. It is not bright, it is not "foodie", it is not funny. The film is set in a deep abyssal world of fish. It is very atmospheric, with great sound, lighting, coloring and ambiance. The way PES uses old tools to create the fish is marvelous, fluid and natural; for a second one forgets that those are real tools and believes they are rare deep-water fish.
Unlike other shorts of PES, in which something happens, there is a beginning and an end, and not further exploration is necessary, this one had many possibilities to develop a story and a narrative beyond what we see. I found this short too short. It is a pity that PES decided to stop at the two-minute mark instead of going on, transcend the immediacy of the now, and create a more complex narrative.
Simple stop-animation, but excellent inventive and talent.