The good thing about SOLARIS is that it's a darned sight better than the OVERLONG Russian original – a four hour film in which three things happened. Steven Soderbergh's remake shaves away half the running time and focuses more on the emotional aspects of the story, and as such is by far the better film. It's gorgeous to look at, bringing to life a beautiful view of space travel and existence, and full of the director's trademark stylish flourishes. Essentially, this is a two-hander between George Clooney and Natasha McElhone, two extremely handsome actors who are accomplished performers to boot. I couldn't think of a better cast.
The film delivers an eerie atmosphere despite not a lot happening. It's definitely a mood piece. The romantic scenes between Clooney and McElhone feel authentic, and the many flashback scenes are pretty moving. This is a film that explores all the aspects of the human psyche: love, lust, withdrawal, madness, acceptance, suicidal tendencies, and more. Clooney is great, but McElhone is even better, playing a flawed and sometimes frightening woman. The sci-fi trappings are kept to a minimum, which is good, and the supporting cast members are also particularly fine – most notable is Jeremy Davies in a role just as kooky as the one he took in RESCUE DAWN. I liked this film, but I didn't find it particularly enjoyable. It goes on a journey of the human soul so to speak, but I wasn't left with much in the way of insight afterwards; I didn't feel that it had developed the characters very much. Still, it's worth a watch for fans of this stuff.
The film delivers an eerie atmosphere despite not a lot happening. It's definitely a mood piece. The romantic scenes between Clooney and McElhone feel authentic, and the many flashback scenes are pretty moving. This is a film that explores all the aspects of the human psyche: love, lust, withdrawal, madness, acceptance, suicidal tendencies, and more. Clooney is great, but McElhone is even better, playing a flawed and sometimes frightening woman. The sci-fi trappings are kept to a minimum, which is good, and the supporting cast members are also particularly fine – most notable is Jeremy Davies in a role just as kooky as the one he took in RESCUE DAWN. I liked this film, but I didn't find it particularly enjoyable. It goes on a journey of the human soul so to speak, but I wasn't left with much in the way of insight afterwards; I didn't feel that it had developed the characters very much. Still, it's worth a watch for fans of this stuff.