1/10
One of the least competently made movies ever
11 October 2016
If ever a movie served as an object lesson that film is a visual medium and must be treated as such, this is the one. It begins with a series of spoken news reports about the arrival of subterranean monsters in L.A. Since four of the five main characters in the story have lived through these events, there should be no reason to gather them together to screen news items about the monsters, but it kills a few minutes of running time, so... The characters then spend several minutes talking, followed by several minutes of driving. The viewer begins to wonder whether this creature feature will ever feature any actual creatures. In fact, the early part of the movie feels like a radio play, with the actors being filmed as they give their lines. And the dialogue bits go on seemingly forever.

Once the (minimal) action gets going, the thick fog (created by the monsters to cool L.A.'s hot climate and make it livable) obscures much of what is going on. The fog is obviously intended to cover up the movie's cheap production values, but mostly it just makes everything even harder to watch. The visual style has evolved from casual minimalism to ocular strain inducing. Not that blowing aside the fog would have made it much better. Every aspect of the movie comes off as shoddy in the lowest sense. The plot was poorly thought out and the action poorly staged. Little that happens moves the story ahead, makes any logical sense or generates interest. The average student film shows more evidence of thought and planning. The characters are unappealingly dull, and most of their interactions seem pointless and go nowhere. The locations add nothing of interest. The lighting, editing and camera direction seem outright amateurish, about on the level of a locally made infomercial. What little budget existed went toward the creature costumes. These are mildly imaginative, but not very scary.

As entertainment, even bad entertainment, absolutely nothing gets achieved here. There are not even any unintentional laughs. All a viewer can expect to get out of this movie is a mild case of eye strain and an appreciation for the cinematic lavishness of The Blair Witch Project.
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