Don't Breathe is a tight, thriller that doesn't let up. There were several parts of the film where I was convinced we were nearing the end, only to be grabbed by the throat and dragged back in. Three young criminals are trying to get out of Detroit and onto bigger and better things. In order to do so they need cash, and lots of it. After receiving information on a potential big score, the group decides to go for it. The target is a blind, Iraq War veteran who is rumored to have $300,000 somewhere in his house. What looks like a cake walk turns into a nightmarish game of cat and mouse that will leave you truly holding your breath until the very end.
Alvarez reunites with Jane Levy, his leading lady from Evil Dead. Levy really wowed me in that film and I was excited to see her in a new role with new scares. While some actors are remembered for their screams in horror films, it's Levy's eyes that stand out. They convey so much emotion, and given that a good amount of this film requires her character to remain silent, she pulls it off brilliantly. Accompanying Levy is veteran actor Stephen Lang as The Blind Man. Lang's screen and stage presence is well documented in productions like Gettysburg, Avatar, and as Col. Jessup in the original stage production of A Few Good Men. His intimidating physique makes him the perfect choice to play this role.
Alvarez assembled a great team of actors, but his best selection might have been behind the camera with cinematographer Pedro Luque. He was the cinematographer for La Casa Muda, (The Silent House) a film that almost doesn't deserve the genius camera-work from Luque. He shot the film to appear like one continuous take and the result is truly unique. He didn't disappoint here either with some great tracking shots and an unforgettable chase scene in the basement.
Luque's images are made even creepier thanks to brilliant sound design. Sound ups are common in horror films, and there are plenty to jump at in this film. While those work great they can be tiresome. I prefer the quiet moments. The shuffling of feet, creaking floor boards, and muffled breathing not only intensify the mood, they force the viewer to fill in the silence with their own imagination. It's like when you here something in your own home and you don't know what it is. You run through every possible scenario until you find the source.
When the credits starting rolling I felt like I myself had spent the night in the house. With a run time of just under 90 minutes, they really jam packed every second of it. While the dialogue isn't anything to write home about (especially the first act), it doesn't detract from the story (I watch for scares, not for the conversations). A fine job all around and hopefully just the beginning of a long career for Alvarez. With two big films under his belt already, I can't wait to see what he has in store for us next!
Alvarez reunites with Jane Levy, his leading lady from Evil Dead. Levy really wowed me in that film and I was excited to see her in a new role with new scares. While some actors are remembered for their screams in horror films, it's Levy's eyes that stand out. They convey so much emotion, and given that a good amount of this film requires her character to remain silent, she pulls it off brilliantly. Accompanying Levy is veteran actor Stephen Lang as The Blind Man. Lang's screen and stage presence is well documented in productions like Gettysburg, Avatar, and as Col. Jessup in the original stage production of A Few Good Men. His intimidating physique makes him the perfect choice to play this role.
Alvarez assembled a great team of actors, but his best selection might have been behind the camera with cinematographer Pedro Luque. He was the cinematographer for La Casa Muda, (The Silent House) a film that almost doesn't deserve the genius camera-work from Luque. He shot the film to appear like one continuous take and the result is truly unique. He didn't disappoint here either with some great tracking shots and an unforgettable chase scene in the basement.
Luque's images are made even creepier thanks to brilliant sound design. Sound ups are common in horror films, and there are plenty to jump at in this film. While those work great they can be tiresome. I prefer the quiet moments. The shuffling of feet, creaking floor boards, and muffled breathing not only intensify the mood, they force the viewer to fill in the silence with their own imagination. It's like when you here something in your own home and you don't know what it is. You run through every possible scenario until you find the source.
When the credits starting rolling I felt like I myself had spent the night in the house. With a run time of just under 90 minutes, they really jam packed every second of it. While the dialogue isn't anything to write home about (especially the first act), it doesn't detract from the story (I watch for scares, not for the conversations). A fine job all around and hopefully just the beginning of a long career for Alvarez. With two big films under his belt already, I can't wait to see what he has in store for us next!