CUTTHROAT ISLAND was a film I never got around to seeing as a kid. I suppose the idea of an American pirate film didn't really appeal and indeed this is very much like a 1990s-era precursor to PIRATES OF THE CARIBBEAN, with the same look, the same kind of comedy, the same kind of action-packed feel. Not really my cup of tea as cinema goes; I much prefer the grittier, better-acted style of the BLACK SAILS TV series (Michael Bay's finest hour).
In any case, I thought I'd catch up with CUTTHROAT ISLAND and see what I missed. The answer? Not very much. Renny Harlin has always been a hit or miss director and this is a big miss even this early on in his career (surprisingly so, given how entertaining DIE HARD 2 and CLIFFHANGER are). Geena Davis is woefully miscast in the role of a female pirate battling against an even greater foe; she looks ridiculous when attempting to do the action scenes and even outside of the action her open-mouthed style makes her look wooden and out of her depth.
The only genuine performer of note is the seasoned Frank Langella as the charismatic villain, although he's too suave and good-looking to be all that hateful. He certainly shows up Matthew Modine's laughable would-be roguish good guy. Patrick Malahide is saddled with predictability, Maury Chaykin is annoying, and the reliable Stan Shaw wasted in a nothing-except-stand-around-and-look-tough part. The action is endless, endlessly cheesy, and completely fake-looking, with the stupid climax being particularly bad. Overall the film feels fake and wishy washy, and it comes as little surprise to me that this film flopped. It makes Costner's WATERWORLD look like a Oscar winner by comparison.
In any case, I thought I'd catch up with CUTTHROAT ISLAND and see what I missed. The answer? Not very much. Renny Harlin has always been a hit or miss director and this is a big miss even this early on in his career (surprisingly so, given how entertaining DIE HARD 2 and CLIFFHANGER are). Geena Davis is woefully miscast in the role of a female pirate battling against an even greater foe; she looks ridiculous when attempting to do the action scenes and even outside of the action her open-mouthed style makes her look wooden and out of her depth.
The only genuine performer of note is the seasoned Frank Langella as the charismatic villain, although he's too suave and good-looking to be all that hateful. He certainly shows up Matthew Modine's laughable would-be roguish good guy. Patrick Malahide is saddled with predictability, Maury Chaykin is annoying, and the reliable Stan Shaw wasted in a nothing-except-stand-around-and-look-tough part. The action is endless, endlessly cheesy, and completely fake-looking, with the stupid climax being particularly bad. Overall the film feels fake and wishy washy, and it comes as little surprise to me that this film flopped. It makes Costner's WATERWORLD look like a Oscar winner by comparison.