2/10
Deeply & Profoundly Bad
19 August 2016
Rebecca: This is so bad it's almost good.

Enid: This is so bad it's gone past good and back to bad again.

Felt far more like a dumbed-down version of "Butch Cassidy and the Sundance Kid" (1969) than a remake of a 1960's secret agent show. Ill-conceived and poorly executed attempt to cash in once again on the pre-sold audience for anything "remotely" related to the U.N.C.L.E. franchise.

Since the main appeal of the original 1960's television show was its campy take on the 60's secret agent craze, a direction that the James Bond films would not take for another ten years, viewers would expect a homage with more of the same. This would mean cheapo production design, unrealistic action sequences, and Napoleon Solo in lip lock with six different beautiful young actresses every thirty minutes. More importantly those shows were fun for anyone willing to engage in a little self-knowing whimsy, identify with one of the characters, and go on that week's campy little adventure.

Unfortunately nobody associated with the 2015 production had much of a grasp on subtle or even unsubtle comedy and the thing is turned into an typical exercise in special effects excess and hyper-editing. Pretty much the opposite of everything that gave the original series its charm.

The target for this box office disaster was ladies and pre-teen girls getting off on Superman/Clark Kent actor Henry Cavill; whose minimalist acting style (or perhaps absence of acting talent) make him a worthy successor to expression challenged Robert Vaughn's Napoleon Solo. But this is a prequel and we learn that the first time Napoleon and Illya operated as a team was in pre - U.N.C.L.E. days. Robert Redford reboot Armie Hammer painfully plays the blonde Russian. For obvious reasons Hammer has generally been the kiss of death for all movies in which he has appeared over the past ten years. A "Springtime for Hitler" sort of thing.

In an effort to expand the target demographic the producers seem to have geared the promotional campaign around eye scorching Elizabeth Debicki who plays the bad girl. Those viewing the film for that reason will be somewhat disappointed. Although Debicki's performance is fine her screen time is brief and almost entirely in wide master shots. And while the promotional campaign sets you up for a decisive catfight sequence with the other actress (someone named Alicia Vikander); nothing happens between them. Despite all this Debicki easily wins the memorable character battle and you forget that Vikander and her tedious character were even in the film.

Then again, what do I know? I'm only a child.
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