it was the first version of Marcellino's story that I saw. and the memories about it are , after two decades, fresh and touching as a form of definition of "my Marcelino". after two decades, I saw again. and the emotion was not different by the first view.more significant, after the meeting with the versions from 1991 and 2010, the film of Luigi Comencini is, in same measure, impressive and convincing and seductive. not for great performances but for few memorable scenes. for a lot of details, for atmosphere, for the period, for the extracting of nails of Christ's hands, for the life in the castle who remands Heidi, for a sort of nostalgia who defines the first scenes. sure, a generous story easily impress the public. but this remake has little more than the original story flavor.maybe because it is an inspired exercise to rediscover the Medieval original. maybe because its drama is more convincing than the simplicity of the version from 1955. maybe for the scene of Nativity celebration as basis for the dramatic meeting of the end.
Review of Marcellino
