An interesting futuristic film on the premise of building a tunnel under the Atlantic ocean to link Britian and the USA. Richard Dix is his usual stalwart presence as McAllan, an engineer who has in this scenario already created a tunnel under the English Channel, uniting France and England as of 1940, five years in the future from when the film was released.
There are the usual disasters, delays and money problems. The crux of the film though rises from the tragic flaw of hubris (pride), which causes tragedy within the family of McAllan due to his dogged determination to put his job/his vision above all else.
A slight problem results from casting both leading women (Madge Evans and Helen Vinson) since they resemble each other so closely, one has trouble following who is on screen. The best moment is the meeting of the two late in the film and the touching and illuminating scene that results.
Leslie Banks is excellent as the best friend. Henry Oscar is a marvelous villain, self-assured and wickedly serene.
Arliss and Huston have two back to back scenes, beginning at 43 minutes in and one hour and fifteen minutes in. They are quite short and constitute cameos.
The real star here is the art direction of the tunnel itself.
It is kept vague as to exactly how the USA and the UK are going to benefit from this tunnel, however. Seems more problematic than somewhat as opposed to sea or air travel.
It's quite gripping and quite enjoyable. Recommended.
There are the usual disasters, delays and money problems. The crux of the film though rises from the tragic flaw of hubris (pride), which causes tragedy within the family of McAllan due to his dogged determination to put his job/his vision above all else.
A slight problem results from casting both leading women (Madge Evans and Helen Vinson) since they resemble each other so closely, one has trouble following who is on screen. The best moment is the meeting of the two late in the film and the touching and illuminating scene that results.
Leslie Banks is excellent as the best friend. Henry Oscar is a marvelous villain, self-assured and wickedly serene.
Arliss and Huston have two back to back scenes, beginning at 43 minutes in and one hour and fifteen minutes in. They are quite short and constitute cameos.
The real star here is the art direction of the tunnel itself.
It is kept vague as to exactly how the USA and the UK are going to benefit from this tunnel, however. Seems more problematic than somewhat as opposed to sea or air travel.
It's quite gripping and quite enjoyable. Recommended.