A strain of killer bees smuggled into America by an evil and unscrupulous corporation threaten to destroy mankind. It's up to a small team of scientists to figure out a way to destroy them before it's too late.
Writer/director Alfredo Zacharias treats the inane premise with sidesplitting misguided seriousness: The copious use of laughably obvious stock footage (look fast for a clip of former President Gerald Ford on a float at the Rose Bowl Parade!), ineptly staged attack scenes, shoddy (far from) special effects, an incredibly inane solution to the problem that involves turning male bees into homosexuals (yes, you read that correctly), and a surreal climax set at a UN meeting complete with a heavy-handed plea for tolerance between humans and bees (!) all add to this hilariously horrendous honey's considerable campy charm. John Saxon tries hard as the stalwart John Norman, Angel Tompkins looks mighty foxy and just barely manages to retain her dignity as the perky Sandra Miller, and John Carradine hams it up shameless as flaky old fudster Dr. Sigmund Hummel (Carradine's uproariously overdone and unconvincing German accent in particular serves as a key source of unintentional belly laughs). The funky-throbbing score by Richard Gillis hits the get-down groovy spot. An absolute cruddy hoot!
Writer/director Alfredo Zacharias treats the inane premise with sidesplitting misguided seriousness: The copious use of laughably obvious stock footage (look fast for a clip of former President Gerald Ford on a float at the Rose Bowl Parade!), ineptly staged attack scenes, shoddy (far from) special effects, an incredibly inane solution to the problem that involves turning male bees into homosexuals (yes, you read that correctly), and a surreal climax set at a UN meeting complete with a heavy-handed plea for tolerance between humans and bees (!) all add to this hilariously horrendous honey's considerable campy charm. John Saxon tries hard as the stalwart John Norman, Angel Tompkins looks mighty foxy and just barely manages to retain her dignity as the perky Sandra Miller, and John Carradine hams it up shameless as flaky old fudster Dr. Sigmund Hummel (Carradine's uproariously overdone and unconvincing German accent in particular serves as a key source of unintentional belly laughs). The funky-throbbing score by Richard Gillis hits the get-down groovy spot. An absolute cruddy hoot!