It starts out okay; I like that compressed visual depth of field, as it evokes a distortion of reality, consistent with the story's theme. But oh how this film quickly deteriorates.
Driving a school bus for a living, Laura (Joanna Cassidy) is a single mom who has moved with her teenage daughter to a small, presumably quiet rural town to get away from big city crime. Much to her chagrin, an ugly yellowish old car with windows that apparently are tinted, as you cannot see inside, terrorizes Laura and her daughter, then terrorizes the whole town. The first half is marginal at best, as the script trends cliché-ridden and borrowed, and characters are superficial. Then comes that dreadful second half.
The script is written so that at the midpoint plot turn, Laura, driving the school bus, gives chase to the evil car, which has just kidnapped Laura's daughter. The chase "scene" expands to almost the entire second half, some 35 minutes. It's just Laura in the school bus and Laura's daughter kidnapped inside the car.
Sometimes the school bus chases the car. At other times the car chases the school bus. It all depends on where in the plot you arrive at, after you have used your remote to fast-forward through all that chase redundancy. The ending is as hokey and laughable as any ending I have seen. We get dust flying through the air, lots of frenetic background music, screaming, silly maneuvers, explosions, and vehicles that are so durable that even after falling off a cliff, they still return with purring engines and tires that never go flat.
The editing, stunts, and photography in the chase scenes are actually quite good. And Joanna Cassidy is a fine actress. But the script's plot structure is way too unbalanced. The action is not believable. And the film comes across as a rip-off of James Brolin's movie "The Car" (1977). "Wheels Of Terror" might have had some degree of credibility with a vastly rewritten script. As is, it's not worth watching unless the viewer is interested in learning the technical aspects of filming a chase scene.
Driving a school bus for a living, Laura (Joanna Cassidy) is a single mom who has moved with her teenage daughter to a small, presumably quiet rural town to get away from big city crime. Much to her chagrin, an ugly yellowish old car with windows that apparently are tinted, as you cannot see inside, terrorizes Laura and her daughter, then terrorizes the whole town. The first half is marginal at best, as the script trends cliché-ridden and borrowed, and characters are superficial. Then comes that dreadful second half.
The script is written so that at the midpoint plot turn, Laura, driving the school bus, gives chase to the evil car, which has just kidnapped Laura's daughter. The chase "scene" expands to almost the entire second half, some 35 minutes. It's just Laura in the school bus and Laura's daughter kidnapped inside the car.
Sometimes the school bus chases the car. At other times the car chases the school bus. It all depends on where in the plot you arrive at, after you have used your remote to fast-forward through all that chase redundancy. The ending is as hokey and laughable as any ending I have seen. We get dust flying through the air, lots of frenetic background music, screaming, silly maneuvers, explosions, and vehicles that are so durable that even after falling off a cliff, they still return with purring engines and tires that never go flat.
The editing, stunts, and photography in the chase scenes are actually quite good. And Joanna Cassidy is a fine actress. But the script's plot structure is way too unbalanced. The action is not believable. And the film comes across as a rip-off of James Brolin's movie "The Car" (1977). "Wheels Of Terror" might have had some degree of credibility with a vastly rewritten script. As is, it's not worth watching unless the viewer is interested in learning the technical aspects of filming a chase scene.