From the Director of the original Taken comes what is essentially Taken 2.0, re-skinned, rehashed and re-marketed for a different audience to puke back up. But this is Penn's show, a self-obsessed project. Highlighting what a great human being he is. Look at all the humanitarian work he does! Protect the environment! Guns are bad! The last statement though, isn't entirely true. Penn uses guns many a time, so its message is somewhat conflicted. Like the overall point of the film. What are the filmmakers really trying to say about the current economic climate? The answer though is simple and its, well nothing.
Penn's character, a bland individual that doesn't deserve the honour of being named, is an ex-sniper or gunman if you like. He's out of the business. For good. That is until his demons of the past force him to confront his fears and health problems. Because what would an action film be without an aged actor, mediocre director and the threat of heart problems in the long run?
The Gunman is solid proof that Hollywood has run out of new ideas. Instead the film plays out like a poor man's Bourne Identity, not stylish enough to offer thrills, nor thoughtful enough to make a meaningful statement about the economy. Instead it ponders along boring everyone in its wake. Maybe I would like The Gunman more if it didn't insult my intelligence at every turn, didn't bore me from tears and didn't make me long for the days of Liam Neeson as an action hero. That's how bad this film is. Take note because with a poor script, inflated runtime, zero characterisation and a dull po faced story, The Gunman is not worth your time or money.
D
Penn's character, a bland individual that doesn't deserve the honour of being named, is an ex-sniper or gunman if you like. He's out of the business. For good. That is until his demons of the past force him to confront his fears and health problems. Because what would an action film be without an aged actor, mediocre director and the threat of heart problems in the long run?
The Gunman is solid proof that Hollywood has run out of new ideas. Instead the film plays out like a poor man's Bourne Identity, not stylish enough to offer thrills, nor thoughtful enough to make a meaningful statement about the economy. Instead it ponders along boring everyone in its wake. Maybe I would like The Gunman more if it didn't insult my intelligence at every turn, didn't bore me from tears and didn't make me long for the days of Liam Neeson as an action hero. That's how bad this film is. Take note because with a poor script, inflated runtime, zero characterisation and a dull po faced story, The Gunman is not worth your time or money.
D