One of my favourite Steve Martin comedies, before he followed the example of Woody Allen and stopped with the comedy and hankered after more serious parts in dull films by Ron Howard and David Mamet. This is definitely how I like him best, in genuinely funny situations that make you laugh. He wrote his own screenplay too, cleverly if loosely taking the old classic story of the big-nosed romantic Cyrano De Bergerac and transplanting it to a modern American small town romantic comedy.
As Charlie, the local fire-chief, Martin's character, besides being a loquacious wordsmith, is also, it would appear, a Cirque-class acrobat and martial arts expert which he amply demonstrates as the movie progresses. The arrival in town of intellectual hottie Darryl Hannah finds the two striking up a blossoming if offbeat friendship before the entrance of lunk-hunk Chris, nicely played by Rick Rossovich, to his fire-crew finds Charlie pressed into action as Chris's prompter in trying to win over Hannah's heart in his stead.
Needless to say, the paths of true love don't run smoothly but do eventually find their rightful destinations for all the main parties but not before many highly comedic scenes get in the way. The extended scenes where Martin takes out two insulting tennis players at the start, his top 20 nose-jokes and especially the by-proxy seduction of Hannah at her Juliet window are all hilarious, but there's plenty of devilry in the detail too especially the short scenes with the "Golden Girls" of the town.
Just maybe, Martin could have downplayed the slapstick comedy element of his Keystone Fire Brigade, which can't touch the Golden Silents of Keaton and Lloyd for amusement, but their coming together to finally demonstrate competence in actually putting out a fire, to the strains of "The Blue Danube", at least concluded another minor plot story arc too. Oh, and I hated the sleep-inducing saxophone-dominated soundtrack too, but hey, this was the 80's, I guess.
Martin is terrific in the "Cyrano" part and Darryl Hannah is surprisingly good in being asked to do more than just shake her curls. Mild distraction as they were as a group, it was still nice to see Michael J Pollard as one of the fire crew too.
Like I said, I'm a big fan of Martin's early comedies and this is one of his best. If I'm lying, may my nose grow in length!
As Charlie, the local fire-chief, Martin's character, besides being a loquacious wordsmith, is also, it would appear, a Cirque-class acrobat and martial arts expert which he amply demonstrates as the movie progresses. The arrival in town of intellectual hottie Darryl Hannah finds the two striking up a blossoming if offbeat friendship before the entrance of lunk-hunk Chris, nicely played by Rick Rossovich, to his fire-crew finds Charlie pressed into action as Chris's prompter in trying to win over Hannah's heart in his stead.
Needless to say, the paths of true love don't run smoothly but do eventually find their rightful destinations for all the main parties but not before many highly comedic scenes get in the way. The extended scenes where Martin takes out two insulting tennis players at the start, his top 20 nose-jokes and especially the by-proxy seduction of Hannah at her Juliet window are all hilarious, but there's plenty of devilry in the detail too especially the short scenes with the "Golden Girls" of the town.
Just maybe, Martin could have downplayed the slapstick comedy element of his Keystone Fire Brigade, which can't touch the Golden Silents of Keaton and Lloyd for amusement, but their coming together to finally demonstrate competence in actually putting out a fire, to the strains of "The Blue Danube", at least concluded another minor plot story arc too. Oh, and I hated the sleep-inducing saxophone-dominated soundtrack too, but hey, this was the 80's, I guess.
Martin is terrific in the "Cyrano" part and Darryl Hannah is surprisingly good in being asked to do more than just shake her curls. Mild distraction as they were as a group, it was still nice to see Michael J Pollard as one of the fire crew too.
Like I said, I'm a big fan of Martin's early comedies and this is one of his best. If I'm lying, may my nose grow in length!