Taking on a man's job as radio DJ, future camp movie musical star Annie Miller moves from supporting roles to leading lady and Columbia's big song and dance girl in this war collection of specialties by some of the hottest acts of the time. Ann Miller would go on to greater things years later at MGM and of course on Broadway, but her charm and innocence made for a fine second string lead at Columbia studios where, while no threat to Rita Hayworth or Jean Arthur, was definitely one of their top attractions.
This is 75% music and 25% plot, but what is inside the shell is quite superb. Even Frank Sinatra pops up to sing Night and Day, and there's also Bob Crosby, the Mills Brothers and a novelty song called Cow Cow boogie witch has a music video out there somewhere involving cows lip syncing to the song heard here. It's a shame though that what was obviously a sound, or essentially an early music video, wasn't utilized in this movie because of the original songs, it is the most well remembered.
Look sharp for Irene Ryan as Miller's co-worker who gets in a few funny Libes. Franklin Pangborn sneers hysterically at cracks for being a decade out of step with the times and the Radio Rogues, sometimes annoying, are amusing with their selections of imitations. Of course, this wouldn't be a successful World War II musical without the obligatory patriotic finale, and this is where Annie breaks out in tap shoes which she would later utilize with great abandon and in Technicolor, and sometimes backwards as well wearing high heels at MGM.
This is 75% music and 25% plot, but what is inside the shell is quite superb. Even Frank Sinatra pops up to sing Night and Day, and there's also Bob Crosby, the Mills Brothers and a novelty song called Cow Cow boogie witch has a music video out there somewhere involving cows lip syncing to the song heard here. It's a shame though that what was obviously a sound, or essentially an early music video, wasn't utilized in this movie because of the original songs, it is the most well remembered.
Look sharp for Irene Ryan as Miller's co-worker who gets in a few funny Libes. Franklin Pangborn sneers hysterically at cracks for being a decade out of step with the times and the Radio Rogues, sometimes annoying, are amusing with their selections of imitations. Of course, this wouldn't be a successful World War II musical without the obligatory patriotic finale, and this is where Annie breaks out in tap shoes which she would later utilize with great abandon and in Technicolor, and sometimes backwards as well wearing high heels at MGM.