THE BASE is from a period in Mark Dacascos's filmography regularly highlighted by decent stories, good production values, and limited action, and this one exemplifies all of these qualities. It's a mildly exciting action-thriller with some highlights in its script, and it manages to secure a high rating by avoiding many direct-to-video snafus and pitfalls. Nevertheless, it's a little dull and not quite the ideal Dacascos vehicle.
The story: An Army Major (Dacascos) goes undercover to investigate a drug trafficking ring led by a dangerous Sergeant (Tim Abell).
Much of the film's overall quality seems to be attributable to director Mark Lester, who to this day remains on the same downward slide from his heyday of directing COMMANDO but nevertheless injects invaluable energy into the picture - making the most of what would otherwise have been a much more run-of-the-mill outing with a low budget. The script has some basic shortcomings, including the thankless and clichéd role it renders Paula Trickey, but I was pleased with the surprising depth that Tim Abell's character is granted. Abell pulls it off fairly well, doing a good job of playing a manipulator and appearing absolutely authentic as a military man.
Dacascos is on less even ground: he tends to play awkward villains to begin with, and does no better in playing a hero pretending to be a villain. Nevertheless, he's in good form when it comes to the action. I wish that there were more than three fistfights, a handful of shootouts, and a couple explosions, but by and large, this stuff is serviceable. Mark throws a lot of spinning kicks and at times appears to be channeling his rarely-utilized capoeira training. I particularly enjoyed the first brawl, wherein Dacascos takes on Darcas Macopson in a surprisingly dirty kendo duel. The finale between Mark and Tim Abell is yards better than anything they got up to in INSTINCT TO KILL.
If there's one major flaw to the movie, it's that it does not take any chances. The filmmakers may have been trying to replicate the big-budget experience for the small screen, though they would arguably have been much better served producing a movie less homogenized and predictable, as is allowed by the DTV medium. Nevertheless, if you're a viewer who complains about the failings of B-movies, then the solid, conventional route this one takes will probably be considered a plus factor. Dacascos fans are encouraged to check it out.
The story: An Army Major (Dacascos) goes undercover to investigate a drug trafficking ring led by a dangerous Sergeant (Tim Abell).
Much of the film's overall quality seems to be attributable to director Mark Lester, who to this day remains on the same downward slide from his heyday of directing COMMANDO but nevertheless injects invaluable energy into the picture - making the most of what would otherwise have been a much more run-of-the-mill outing with a low budget. The script has some basic shortcomings, including the thankless and clichéd role it renders Paula Trickey, but I was pleased with the surprising depth that Tim Abell's character is granted. Abell pulls it off fairly well, doing a good job of playing a manipulator and appearing absolutely authentic as a military man.
Dacascos is on less even ground: he tends to play awkward villains to begin with, and does no better in playing a hero pretending to be a villain. Nevertheless, he's in good form when it comes to the action. I wish that there were more than three fistfights, a handful of shootouts, and a couple explosions, but by and large, this stuff is serviceable. Mark throws a lot of spinning kicks and at times appears to be channeling his rarely-utilized capoeira training. I particularly enjoyed the first brawl, wherein Dacascos takes on Darcas Macopson in a surprisingly dirty kendo duel. The finale between Mark and Tim Abell is yards better than anything they got up to in INSTINCT TO KILL.
If there's one major flaw to the movie, it's that it does not take any chances. The filmmakers may have been trying to replicate the big-budget experience for the small screen, though they would arguably have been much better served producing a movie less homogenized and predictable, as is allowed by the DTV medium. Nevertheless, if you're a viewer who complains about the failings of B-movies, then the solid, conventional route this one takes will probably be considered a plus factor. Dacascos fans are encouraged to check it out.