Isn't here a line in a movie where one of the characters is singing an old time favorite and attempting to pass it off as new--and the auditor says something like--"Yeah, I already remember that..." This 1951 movie brought out the old songs in a revue format--so that they are not old songs in new garb--but old songs in old garb.
Doris Day sings "Just one of those things" in a tux and steals the show at the outset. Never mind she gives verve to a song about dumping a flame after a few dates. "Bye Bye mien Herr" from 'Cabaret' gives the same jazzy up-temps to the same topic of moving on quickly from one affair to another. But in any event--Doris Day knocks the song out of the park--so to speak.
The comedy team of Billy de Wolfe and Anne Triola are a delightful comedy duet--actors acting as servants so they don't starve to death.
"Lullaby of Broadway" is a delightful romp, showcasing many talents to produce something lite and frothy and surprisingly enduring. The froth disguises something dark and central to the acting profession. People who are washed up too early for the wrong reasons--yet endure beyond reasonable expectations. The song "Lullaby of Broadway" is itself a ballad/ode of what amounts to frenzied and self-destructive lifestyle. Gene Nelson pretending he can't dance when he is a great dancer--all to seduce Doris Day; well that's trickery and deceit which she rightfully resents. And Doris Day's own mother is not a world class performer but a barely and rarely sober cabaret singer in a gin joint. "Your getting to be a habit with me" is one of those nightmare scenarios of addiction that no actor wants to fall into--and yet many do. And, of course, the whole premise of the movie to fool Doris Day into thinking this palatial residence actually belongs to her mother.
Despite the dark central themes to the move, it appears light and frothy--one more deception, this time on the movie goer.
One wonders how this movie could have been made with different actors and one suspects it couldn't be made any better.
Doris Day sings "Just one of those things" in a tux and steals the show at the outset. Never mind she gives verve to a song about dumping a flame after a few dates. "Bye Bye mien Herr" from 'Cabaret' gives the same jazzy up-temps to the same topic of moving on quickly from one affair to another. But in any event--Doris Day knocks the song out of the park--so to speak.
The comedy team of Billy de Wolfe and Anne Triola are a delightful comedy duet--actors acting as servants so they don't starve to death.
"Lullaby of Broadway" is a delightful romp, showcasing many talents to produce something lite and frothy and surprisingly enduring. The froth disguises something dark and central to the acting profession. People who are washed up too early for the wrong reasons--yet endure beyond reasonable expectations. The song "Lullaby of Broadway" is itself a ballad/ode of what amounts to frenzied and self-destructive lifestyle. Gene Nelson pretending he can't dance when he is a great dancer--all to seduce Doris Day; well that's trickery and deceit which she rightfully resents. And Doris Day's own mother is not a world class performer but a barely and rarely sober cabaret singer in a gin joint. "Your getting to be a habit with me" is one of those nightmare scenarios of addiction that no actor wants to fall into--and yet many do. And, of course, the whole premise of the movie to fool Doris Day into thinking this palatial residence actually belongs to her mother.
Despite the dark central themes to the move, it appears light and frothy--one more deception, this time on the movie goer.
One wonders how this movie could have been made with different actors and one suspects it couldn't be made any better.