"Endless Night" follows working-class freewheeling chauffeur Michael (Hywel Bennett) who falls in love with a billionaire heiress Ellie (Hayley Mills). The two marry, and build a large estate on property in the English countryside known as Gypsy's Acre, which is purported by locals to be cursed land. After Ellie's relative Greta (Britt Ekland) arrives to stay, a series of bizarre events unfold, including ominous encounters with an elderly gypsy woman who roams the property.
Based on the Agatha Christie novel, director Sidney Gilliat takes the meat of Christie's novel and puts unique twinges on it that are reminiscent of Hitchcock (Bernard Herrmann's spooky score understates this). The film is admittedly slow, especially in exposition, and there are few quote-unquote thrills to be had, but I found this film strangely compelling in spite of its odd pacing.
There is a consistent sense of unease that permeates nearly every scene, although it's difficult to put your finger on what is exactly the cause. The photography in the film is fantastic, capturing the rolling landscapes and the cloudy skies surrounding the manor; this is punctuated by subtle scares that come in the form of various figures lurking below on the hillsides or in the woods, almost like indistinct figures in a painting. The film is at times reminiscent of English Gothic in its aesthetics, even though the house itself is very much "retro '70s" in both style and furnishings.
Solid performances from Hywel Bennett and Hayley Mills really shine here, with Mills being especially memorable as a good natured girl who happens to be a billionaire ("world's sixth richest!"). Britt Ekland is also great as the stalwart and fawning relative— her performance really comes full circle in the finale, which provides her the bulk of the role's dynamics, and she handles it fabulously. The conclusion to the film is fairly routine by contemporary standards, although I can honestly say that I didn't see the plot twists coming, so props to Christie and the filmmakers' handling of the material— I was definitely had by the film.
Overall, "Endless Night" is an enjoyable and well-acted picture that seems to have been forgotten in time. It is too slow to qualify as a full-blooded thriller, but there are tinges of a British psychothriller here with some genuinely bizarre and eerie moments that stand out among effective cinematography and a disquieting score. In spite of the film's lackluster pacing, it is unexpectedly transfixing, and manages to hold one's attention until the head twisting finale. 7/10.
Based on the Agatha Christie novel, director Sidney Gilliat takes the meat of Christie's novel and puts unique twinges on it that are reminiscent of Hitchcock (Bernard Herrmann's spooky score understates this). The film is admittedly slow, especially in exposition, and there are few quote-unquote thrills to be had, but I found this film strangely compelling in spite of its odd pacing.
There is a consistent sense of unease that permeates nearly every scene, although it's difficult to put your finger on what is exactly the cause. The photography in the film is fantastic, capturing the rolling landscapes and the cloudy skies surrounding the manor; this is punctuated by subtle scares that come in the form of various figures lurking below on the hillsides or in the woods, almost like indistinct figures in a painting. The film is at times reminiscent of English Gothic in its aesthetics, even though the house itself is very much "retro '70s" in both style and furnishings.
Solid performances from Hywel Bennett and Hayley Mills really shine here, with Mills being especially memorable as a good natured girl who happens to be a billionaire ("world's sixth richest!"). Britt Ekland is also great as the stalwart and fawning relative— her performance really comes full circle in the finale, which provides her the bulk of the role's dynamics, and she handles it fabulously. The conclusion to the film is fairly routine by contemporary standards, although I can honestly say that I didn't see the plot twists coming, so props to Christie and the filmmakers' handling of the material— I was definitely had by the film.
Overall, "Endless Night" is an enjoyable and well-acted picture that seems to have been forgotten in time. It is too slow to qualify as a full-blooded thriller, but there are tinges of a British psychothriller here with some genuinely bizarre and eerie moments that stand out among effective cinematography and a disquieting score. In spite of the film's lackluster pacing, it is unexpectedly transfixing, and manages to hold one's attention until the head twisting finale. 7/10.