Stung (2015)
Giant mutant wasps attack the participants of a party.
The starting pitch may sound ridiculous, but it serves only as a backdrop. In the manner of the old horror movies of the 80s, the threat, whether an alien creature, a gooey monster or a psychopath, allowed to highlight social problems, conflicts between individuals or benefits and values of the characters. For Stung, it is the relationship between Paul and Julia, and a small sally to the aristocracy and hypocrisy of this class. There is on one side the girl and the boy, and the other the mystery of giant wasps. The relationship between the two young people is catchy as it develops throughout the film, organically, each taking the time to know, not succumbing to the ease of Hollywood movies where the duo kiss after 2 min . The attachment is built, and also justifies certain elements of the story, instead of using stupid tricks and narrative turn. As for the wasps, the justification is simple but sufficient. Let us not forget that this is a comedy-horror, and the cause is also a critical eye on a specific theme.
We often associate the horror films or low budget to direct-to-DVD or products of poor quality. As said above, history, and rhythm that follows, are well managed. Added to this a realization of very good quality, with special effects in addition to dolls and practical effects. There is no easy use of CGI, but rather a practical research, which induces the same time a scares. One does not often see the whole creatures, and most of the plans are using real puppets. The actors thus react to tangible elements (except small swarm at first, a bit missed). And finally, the creatures generated computer are created, with some nice effects and flames are not too ugly.
Matt O'Leary, unrecognizable to those who have seen Spy Kids, camped with much ease and conviction his character. I could feel that he found himself in the wrong place, but that the situation required him to act, he had responsibilities. His big mouth is boring at first but I quickly gave him sympathy in view of the problems he faced. Jessica Cook <3 is not left behind. At first, appearing to be relayed to the rank of a stooge, she also has the opportunity to show us what she is capable of. It is also a pleasure to see renowned actors, adding a kind of experience and sustainability, through Lance Henriksen, a selfish but realistic mayor, and Clifton Collins Jr., a frustrated heir.
The kind of positive surprise that I like, a sincere film and a good time.
7.5 / 10
Giant mutant wasps attack the participants of a party.
The starting pitch may sound ridiculous, but it serves only as a backdrop. In the manner of the old horror movies of the 80s, the threat, whether an alien creature, a gooey monster or a psychopath, allowed to highlight social problems, conflicts between individuals or benefits and values of the characters. For Stung, it is the relationship between Paul and Julia, and a small sally to the aristocracy and hypocrisy of this class. There is on one side the girl and the boy, and the other the mystery of giant wasps. The relationship between the two young people is catchy as it develops throughout the film, organically, each taking the time to know, not succumbing to the ease of Hollywood movies where the duo kiss after 2 min . The attachment is built, and also justifies certain elements of the story, instead of using stupid tricks and narrative turn. As for the wasps, the justification is simple but sufficient. Let us not forget that this is a comedy-horror, and the cause is also a critical eye on a specific theme.
We often associate the horror films or low budget to direct-to-DVD or products of poor quality. As said above, history, and rhythm that follows, are well managed. Added to this a realization of very good quality, with special effects in addition to dolls and practical effects. There is no easy use of CGI, but rather a practical research, which induces the same time a scares. One does not often see the whole creatures, and most of the plans are using real puppets. The actors thus react to tangible elements (except small swarm at first, a bit missed). And finally, the creatures generated computer are created, with some nice effects and flames are not too ugly.
Matt O'Leary, unrecognizable to those who have seen Spy Kids, camped with much ease and conviction his character. I could feel that he found himself in the wrong place, but that the situation required him to act, he had responsibilities. His big mouth is boring at first but I quickly gave him sympathy in view of the problems he faced. Jessica Cook <3 is not left behind. At first, appearing to be relayed to the rank of a stooge, she also has the opportunity to show us what she is capable of. It is also a pleasure to see renowned actors, adding a kind of experience and sustainability, through Lance Henriksen, a selfish but realistic mayor, and Clifton Collins Jr., a frustrated heir.
The kind of positive surprise that I like, a sincere film and a good time.
7.5 / 10