PERHAPS IT WAS done to see if we could bear witness to a sort of Renaissance of the Theatrical Cartoon Short, or maybe it was just made in order to ca$h in on the popularity of WHO FRAMED ROGER RABBIT?. In either case, we're happy that the short and subsequent cartoons were produced.
SOME HAVE EXPRESSED disappointment at the ROGER RABBIT/BABY HERMAN Cartoons by stating that they were not like the ROGER RABBIT feature film. To them we must remind them that the cartoons are not on the same level budgetarily or otherwise. The cartoons are just that, cartoons. They exist in order to give a little variety to the program.
BEYOND THE REALM of being a warm-up and laugh getter for the movie audience, we must realize that there is yet another dimension to these latter-day animations. In addition to the usual aspects of a cartoon's having funny characters, snappy hip dialogue, over the top sight gags and a lively soundtrack featuring both appropriately chosen music and befitting sound effects; we have yet another complex element here.
WE MUST KEEP in mind that for whatever reason they were made, their genesis was steeped in satire and parody. Whereas the ROGER RABBIT Feature was (among other things) a satire of the Hollywood and indeed the whole American scene, the resulting shorts were driven by their need and purpose of parodying the work of icons of the animation art such as: Walt Disney, Chuck Jones, Ub Iwerks, Tex Avery, Fritz Freleng, Bob Clampett, etc., etc., etc........
AS FOR OUR opinion, both Schultz and myself highly approve and wish that the series would continue.
SOME HAVE EXPRESSED disappointment at the ROGER RABBIT/BABY HERMAN Cartoons by stating that they were not like the ROGER RABBIT feature film. To them we must remind them that the cartoons are not on the same level budgetarily or otherwise. The cartoons are just that, cartoons. They exist in order to give a little variety to the program.
BEYOND THE REALM of being a warm-up and laugh getter for the movie audience, we must realize that there is yet another dimension to these latter-day animations. In addition to the usual aspects of a cartoon's having funny characters, snappy hip dialogue, over the top sight gags and a lively soundtrack featuring both appropriately chosen music and befitting sound effects; we have yet another complex element here.
WE MUST KEEP in mind that for whatever reason they were made, their genesis was steeped in satire and parody. Whereas the ROGER RABBIT Feature was (among other things) a satire of the Hollywood and indeed the whole American scene, the resulting shorts were driven by their need and purpose of parodying the work of icons of the animation art such as: Walt Disney, Chuck Jones, Ub Iwerks, Tex Avery, Fritz Freleng, Bob Clampett, etc., etc., etc........
AS FOR OUR opinion, both Schultz and myself highly approve and wish that the series would continue.