As often happens with great talent, the public's expectations often bring the artist down with a crash. We saw it with as disparate talents as Tennessee Williams, David O. Selznick, and here we see it with David Lean.
Lean was one of the great filmmakers of the 20th century, capable of doing intimate films like Brief Encounter and huge epics like Lawrence of Arabia. And therein lies the problem. How could the director of Dr. Zhivago and Lawrence of Arabia give the public anything less than a masterpiece? Well, even the greats are entitled to take on a challenge, and not everything they do has to be magnificent. Artists should be allowed to grow and expand.
In doing Ryan's Daughter, Lean faced some challenges that were difficult to overcome.
First, let's look at the positives. On the big screen, this must have been overwhelmingly beautiful to watch. The landscapes, the beach, the town, the incredible storm -- a feast for the eyes.
Then there are sublime performances by Robert Mitchum and Sarah Miles as a schoolteacher, Charles, and his wife, Rosy. He's a simple man and not very exciting; she's a young woman with no worldly experience whose life is turned upside down when she falls in love with a British soldier (Christopher Jones) with PTSD. Leo McCrary plays her father, a gruff but weak man, and he's excellent even if he did hate making this movie. He wasn't alone. Robert Mitchum had messages to Lean delivered by Sarah Miles, and Sarah Miles was furious having to act opposite Christopher Jones.
To continue with the cast, most of them are excellent, including Trevor Howard as the local priest and John Mills as the Village Idiot. The latter is the kind of role that wins Oscars, and this one followed the formula, winning one for Mills.
In making this film, Lean was faced with the difficulty of the weather, which at times hung up the filming for as long as four weeks. No matter how good you are, crossing paths with Mother Nature somehow never works. The best part of this film is the storm scene, terrifying in its scope. How Lean filmed it at all is a miracle.
His other problem was Christopher Jones, a total disaster. Lean cast him on the basis of seeing him in another film, but at the time, he didn't realize the actor had been dubbed. He soon learned that not only could Jones not act, but he refused to do the kind of love scenes that Lean had been eager to shoot since his Brief Encounter days, when the code was in place.
Jones would not participate in the love scenes with Miles, which angered her. What angered her further no doubt was the fact that Jones apparently said he wasn't attracted to her. I guess he thought he was attending a college mixer and not there to do a job. Did he think she was attracted to him, and that's why she was willing to do the scenes? They were critical to her character, showing her in a passionate love affair, her awakening as a full woman.
Lean wound up cheating the love scenes and hiring Julian Holloway to dub Jones, after taking most of his lines away from him. Jones should have been embarrassed, but he probably wasn't. I interviewed him some years ago. He was given a lot of opportunities. He blew them.
Set during the Easter Rising of 1916, Ryan's Daughter is a beautiful movie, if overlong and with too sprightly music given the plot. The ending is ambiguous, but I think we can conclude what will happen.
This is a story of betrayal, adultery, cruelty, passion, and love. It's not Lean's greatest. But any Lean film is worth seeing and a lot better than probably 80% of the films out there.
Lean was one of the great filmmakers of the 20th century, capable of doing intimate films like Brief Encounter and huge epics like Lawrence of Arabia. And therein lies the problem. How could the director of Dr. Zhivago and Lawrence of Arabia give the public anything less than a masterpiece? Well, even the greats are entitled to take on a challenge, and not everything they do has to be magnificent. Artists should be allowed to grow and expand.
In doing Ryan's Daughter, Lean faced some challenges that were difficult to overcome.
First, let's look at the positives. On the big screen, this must have been overwhelmingly beautiful to watch. The landscapes, the beach, the town, the incredible storm -- a feast for the eyes.
Then there are sublime performances by Robert Mitchum and Sarah Miles as a schoolteacher, Charles, and his wife, Rosy. He's a simple man and not very exciting; she's a young woman with no worldly experience whose life is turned upside down when she falls in love with a British soldier (Christopher Jones) with PTSD. Leo McCrary plays her father, a gruff but weak man, and he's excellent even if he did hate making this movie. He wasn't alone. Robert Mitchum had messages to Lean delivered by Sarah Miles, and Sarah Miles was furious having to act opposite Christopher Jones.
To continue with the cast, most of them are excellent, including Trevor Howard as the local priest and John Mills as the Village Idiot. The latter is the kind of role that wins Oscars, and this one followed the formula, winning one for Mills.
In making this film, Lean was faced with the difficulty of the weather, which at times hung up the filming for as long as four weeks. No matter how good you are, crossing paths with Mother Nature somehow never works. The best part of this film is the storm scene, terrifying in its scope. How Lean filmed it at all is a miracle.
His other problem was Christopher Jones, a total disaster. Lean cast him on the basis of seeing him in another film, but at the time, he didn't realize the actor had been dubbed. He soon learned that not only could Jones not act, but he refused to do the kind of love scenes that Lean had been eager to shoot since his Brief Encounter days, when the code was in place.
Jones would not participate in the love scenes with Miles, which angered her. What angered her further no doubt was the fact that Jones apparently said he wasn't attracted to her. I guess he thought he was attending a college mixer and not there to do a job. Did he think she was attracted to him, and that's why she was willing to do the scenes? They were critical to her character, showing her in a passionate love affair, her awakening as a full woman.
Lean wound up cheating the love scenes and hiring Julian Holloway to dub Jones, after taking most of his lines away from him. Jones should have been embarrassed, but he probably wasn't. I interviewed him some years ago. He was given a lot of opportunities. He blew them.
Set during the Easter Rising of 1916, Ryan's Daughter is a beautiful movie, if overlong and with too sprightly music given the plot. The ending is ambiguous, but I think we can conclude what will happen.
This is a story of betrayal, adultery, cruelty, passion, and love. It's not Lean's greatest. But any Lean film is worth seeing and a lot better than probably 80% of the films out there.