------------SPOILERS---------------------------
First scene: She enters in a bathroom in a movie theater set according to the sound the door does when she slams it. NO. It's not done on purpose!! It's called horrible set designer, horrible sound team!! They are stock in a toilets where he just had a poo that smells bad. That's how they meet. That's how we are supposed to establish a connection with the characters. OK. But all we can think of during this sequence shot is: WHEN THE HELL WILL YOU WASH YOUR HANDS, PIG??? But the director liked this take and said "it's OK, who cares? it'a detail!!" So they keep this take in spite the importance of this scene. And that's how everybody on the set must have act to abort this film "it's OK, who cares? it's just a detail!!" well ...i, I care!! because unfortunately I PAID TO SEE THIS Catastrophe!!!!!
-The Director: Which one? The one who wasn't there or the one who was asleep or the one who thought that's enough to stick your camera to an actor's face to be called a director???? THERE IS SIMPLY NO STAGING IN THIS FILM. None. Nothing. Void. Absolute Nothingness. It is static, lazy, apathetic, i love Kiarostami and Cassavetes but here i was hoping that some TRANSFORMERS break a wall, that some AVENGER rip off half of the earth so that something happens, because a moving disaster is always better than a static disaster!!! It has the drama material for a short film and it makes a lame long long long long long 1h45 film. If you want to watch tiny innovations that makes a one room film a great film, watch UN AIR DE FAMILLE by Cédric Klapisch.
-The actress is good but what can she do alone with Mister Apathy being the wheel?
-The music: Flashdance!! out of the blue? why? for what? because "who cares?!!" remember? It was the crew leitmotiv while shooting. She is a vegan. He gives their baby meat behind her back. She enters, sees that and ... and some Hitchcock string waving from the sixties pop up in the middle of the silence!! THANKS DUDE TO TELL ME WHERE AND WHEN TO WORRY!! The fact is, the staging didn't made a suspense about her discovering that, so the strings are like a cannonball to say hello. A Pathetic attempt by the music to save the absence of staging.
The sound: dreadful during the first scene then OK.
-Finally: The message of the film: slightly dangerous: man has no balls anymore, they are sissy unable to protect there kids, it was better before????
And the final shot: a sunset after one a of the character's death, why? because the director hasn't been lazy enough? Because he has to deliver the lamest cliché ever for no meaning?? Or just to say one more time "who cares about this film? about this story? hey!! sunset!! isn't it nice?" ... ???? WTF?????????????????
First scene: She enters in a bathroom in a movie theater set according to the sound the door does when she slams it. NO. It's not done on purpose!! It's called horrible set designer, horrible sound team!! They are stock in a toilets where he just had a poo that smells bad. That's how they meet. That's how we are supposed to establish a connection with the characters. OK. But all we can think of during this sequence shot is: WHEN THE HELL WILL YOU WASH YOUR HANDS, PIG??? But the director liked this take and said "it's OK, who cares? it'a detail!!" So they keep this take in spite the importance of this scene. And that's how everybody on the set must have act to abort this film "it's OK, who cares? it's just a detail!!" well ...i, I care!! because unfortunately I PAID TO SEE THIS Catastrophe!!!!!
-The Director: Which one? The one who wasn't there or the one who was asleep or the one who thought that's enough to stick your camera to an actor's face to be called a director???? THERE IS SIMPLY NO STAGING IN THIS FILM. None. Nothing. Void. Absolute Nothingness. It is static, lazy, apathetic, i love Kiarostami and Cassavetes but here i was hoping that some TRANSFORMERS break a wall, that some AVENGER rip off half of the earth so that something happens, because a moving disaster is always better than a static disaster!!! It has the drama material for a short film and it makes a lame long long long long long 1h45 film. If you want to watch tiny innovations that makes a one room film a great film, watch UN AIR DE FAMILLE by Cédric Klapisch.
-The actress is good but what can she do alone with Mister Apathy being the wheel?
-The music: Flashdance!! out of the blue? why? for what? because "who cares?!!" remember? It was the crew leitmotiv while shooting. She is a vegan. He gives their baby meat behind her back. She enters, sees that and ... and some Hitchcock string waving from the sixties pop up in the middle of the silence!! THANKS DUDE TO TELL ME WHERE AND WHEN TO WORRY!! The fact is, the staging didn't made a suspense about her discovering that, so the strings are like a cannonball to say hello. A Pathetic attempt by the music to save the absence of staging.
The sound: dreadful during the first scene then OK.
-Finally: The message of the film: slightly dangerous: man has no balls anymore, they are sissy unable to protect there kids, it was better before????
And the final shot: a sunset after one a of the character's death, why? because the director hasn't been lazy enough? Because he has to deliver the lamest cliché ever for no meaning?? Or just to say one more time "who cares about this film? about this story? hey!! sunset!! isn't it nice?" ... ???? WTF?????????????????