A deep love of "Vertigo" motivates director Julio Medem to jump into an almost empty swimming pool. Problem is 'V" was a second rate film to fall in love with to begin with. (Question: Did the producers have to pay royalties to the estate of Bernard Herrmann for the almost literal use of some of his music?) So what happens because of the second rated-ness of "V"is that "Red Squirrel" becomes a third rate movie before one's very eyes. Towards the end of it we learn in flashback that Lisa was seen in passing by Jay before the accident that supposedly brings two strangers together and that this brief sighting so smote him that he wrote what would become his favorite song. In the beginning Jay is about to off himself, for reasons ultimately that are never revealed, when he witnesses a motorcycle smashing off an elevated road and landing in the sand of a beach. But folks, the woman driving turns out to be Lisa (Elisa), who he had already met and fallen desperately in love with, after seeing her for less than sixty seconds. THE EXTREMELY LONG ARM OF COINCIDENCE ONCE AGAIN POISONS THE WELL. Sometime later in the movie we learn from Elisa/Sofia's brother that she was never hurt badly enough to suffer from amnesia. Even Hitchcock didn't mess up logic this much. Jay, because of his lying about E/S being his live-in girlfriend and subsequent behavior indicates that he should be in a mental hospital getting daily analysis and the appropriate medication. Perhaps too a red squirrel may have deep psychological meaning to the Spanish nation but to this North American, the repeatedly visual references to it had zero affect. By the way, a massively huge problem with Red Squirrel was that the subtitles were out of sync with the actors lips. Whoever the bottom feeder was who allowed this to happen should be horsewhipped at the grave of Luis Bunuel.
Review of The Red Squirrel
