6/10
Slow As Molasses
13 July 2014
You haven't seen slow until you have seen this film. And I thought Barry Lyndon was slow. This film makes Barry Lyndon look like a runaway train. And since Mann's book was actually a novella this film is probably longer than the book it is so drawn out. But it is riveting in its own way. Visconti is never dull that's for sure. And his films are always visually stimulating. His eye for detail is unmatched, although he did overlook a couple of TV antennas in one scene, but I doubt anyone would have noticed them. Dirk Bogarde is as always absolutely wonderful and clearly exhibits what makes a star and it's making things happen without lifting a finger. He is in virtually every scene and the scenes are very long so he's on camera forever yet he manages to keep your interest because he is so interesting. The film is really about him and he does carry it brilliantly. But the original story is just too abstract for a film and they should have never made it.
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