(Minor spoilers ahead) On one hand, Finding Normal treads very familiar ground: woman city slicker doctor lands like a fish out of water in a ridiculously good-natured burg in the middle of nowhere and has to rethink her priorities while first sparring with--then falling for--the good-looking bachelor town mechanic. The characters are likable, the filming and acting are fine, and the whole enterprise is nice, but a little forgettable.
But then, something amazing happens which is eye-opening in that that you come to realize that something so ordinary is basically never seen in this genre of movie. The characters of this middle-America town are revealed to contain large numbers of practicing Christians who seem to actually take their faith seriously as a part of their life, and are nevertheless portrayed as, well, normal folks.
They go to church on Sunday, they attend pancake breakfasts where they actually socialize like normal folks, and they seem like genuinely nice people. They're not a secret glassy-eyed cult; they're not simpletons or hateful bigots who treat outsiders with disgust; they're not covert hypocrites living out endless perversions in private while breathing fire and brimstone at the pulpit... or any of the countless tropes that have been beaten into the ground for decades by Hollywood.
Perhaps most shocking, they also don't express the sort of lukewarm, formalistic faith which is the only sort that Hollywood seems to allow Christians to possess on film--the kind that makes mealy-mouthed reference to "some greater power" while never actually saying the "G" word. Instead, the characters in this town are regular folks who believe in God, and are just fine with that. They're open, non-self-conscious, and frankly, a lot like the actual people of faith in the real world.
That this sort of character is _never_ seen in a romantic comedy--or for that matter, almost any movie outside of the "Christian Movie" ghetto, is what was most surprising to me as I watched this film.
If the female lead had expressed a deep interest in the healing power of crystals, it would have simply marked her as a "free spirit" and it would have fit comfortably in with the genre; if the characters had been seen bowing to Mecca at some point, it would have been "edgy". But perhaps the most subversive thing that Finding Normal manages is to actually incorporate Christians into a romantic comedy without turning it into a religious film. As such, this initially has the effect of shocking you out of the "rom-com" zone somewhat as a viewer--and that itself speaks volumes for the way Hollywood has formalized its suspicion of (primarily Christian) religion into the way stories are presented on film.
But then, something amazing happens which is eye-opening in that that you come to realize that something so ordinary is basically never seen in this genre of movie. The characters of this middle-America town are revealed to contain large numbers of practicing Christians who seem to actually take their faith seriously as a part of their life, and are nevertheless portrayed as, well, normal folks.
They go to church on Sunday, they attend pancake breakfasts where they actually socialize like normal folks, and they seem like genuinely nice people. They're not a secret glassy-eyed cult; they're not simpletons or hateful bigots who treat outsiders with disgust; they're not covert hypocrites living out endless perversions in private while breathing fire and brimstone at the pulpit... or any of the countless tropes that have been beaten into the ground for decades by Hollywood.
Perhaps most shocking, they also don't express the sort of lukewarm, formalistic faith which is the only sort that Hollywood seems to allow Christians to possess on film--the kind that makes mealy-mouthed reference to "some greater power" while never actually saying the "G" word. Instead, the characters in this town are regular folks who believe in God, and are just fine with that. They're open, non-self-conscious, and frankly, a lot like the actual people of faith in the real world.
That this sort of character is _never_ seen in a romantic comedy--or for that matter, almost any movie outside of the "Christian Movie" ghetto, is what was most surprising to me as I watched this film.
If the female lead had expressed a deep interest in the healing power of crystals, it would have simply marked her as a "free spirit" and it would have fit comfortably in with the genre; if the characters had been seen bowing to Mecca at some point, it would have been "edgy". But perhaps the most subversive thing that Finding Normal manages is to actually incorporate Christians into a romantic comedy without turning it into a religious film. As such, this initially has the effect of shocking you out of the "rom-com" zone somewhat as a viewer--and that itself speaks volumes for the way Hollywood has formalized its suspicion of (primarily Christian) religion into the way stories are presented on film.