The first thing that hit me about this movie was an appreciation of the wide screens and bright colours that prevailed in movies of that era. Hawaii looks great here. On a large screen, that alone would have been worth the price of admission.
As for that other stuff, cast, acting, directing, story, dialogue, etc. Well, this is a soap opera and don't expect too much more except that the plot angles focus on race, ethnic relations and class and this gives them a bit more substance than some other soap operas such "The Picnic" or "Portrait in Black". At the time, it probably skated the line between being edgy enough to intrigue the audience but not so controversial to be scandalous. Today, it comes across as pretty mild although the issues themselves have certainly not disappeared.
Nothing and no one is either brilliant or terrible although Philip Ahn's small part is excellent and produces a strong moment. Heston has his huge screen presence but this is not one of his classic roles. There is not enough there for it to possibly become that. Mimieux looks great and her role is as essential as Heston's and is a soap opera archetype. Nuyen also looks great and, as usual for her in the 60s, melancholy.
As for that other stuff, cast, acting, directing, story, dialogue, etc. Well, this is a soap opera and don't expect too much more except that the plot angles focus on race, ethnic relations and class and this gives them a bit more substance than some other soap operas such "The Picnic" or "Portrait in Black". At the time, it probably skated the line between being edgy enough to intrigue the audience but not so controversial to be scandalous. Today, it comes across as pretty mild although the issues themselves have certainly not disappeared.
Nothing and no one is either brilliant or terrible although Philip Ahn's small part is excellent and produces a strong moment. Heston has his huge screen presence but this is not one of his classic roles. There is not enough there for it to possibly become that. Mimieux looks great and her role is as essential as Heston's and is a soap opera archetype. Nuyen also looks great and, as usual for her in the 60s, melancholy.