Monsieur Lazhar (2011)
A very straightforward, somewhat predictable film that is so nicely made, and has such an oddly charming main character, you'll likely go along happily all the way. I don't think it's some kind of gem or masterpiece, as much as I was thrilled at the ending, which means it built me up beautifully up to that point.
We might see two common genres mixed here. One is the school drama, with the inevitable starring teacher and a student or two who causes trouble, either literally or of the illicit love type. Then there is the immigrant story, especially an illegal, and the necessary subterfuges and adaptations all around. So the main character, Bachir, is a newly arrived Algerian immigrant who lands, by charm and perseverance, a job as a teacher in the a Montreal school. He is replacing a woman who committed suicide by hanging herself in her classroom (with the students at recess).
All this is told quickly, with high drama of course (suicide is none but). And there is a tragic desperation injected right away. Even the students carry this on, traumatized and yet still children, fussing and jerking their way forward in their own odd (and lovable) ways.
So the teacher adjusts, slowly, getting to the know the students and their psychological trappings. He also is coming to terms with his own situation (a couple of dull immigration meetings are shown, and though maybe necessary, maybe not). Other teachers watch and sometimes help, or try to get to know him. He meanwhile wins over the reclucant class of kids.
I'm actually telling a bit of the story and leaving out what matters most—the compelling leading man, who is a show of his own, restrained and awkward and sympathetic. But I'm also letting on that these events are one we've seen many times before. There are some small twists, and there is a high level of steady (and sincere) competence at work, but we do have a familiar tale at the bottom.
Well done? Yes. Commanding? Mostly, yes. Moving and new? Sometimes. It's worth seeing if you like low key, serious, contemporary films.
A very straightforward, somewhat predictable film that is so nicely made, and has such an oddly charming main character, you'll likely go along happily all the way. I don't think it's some kind of gem or masterpiece, as much as I was thrilled at the ending, which means it built me up beautifully up to that point.
We might see two common genres mixed here. One is the school drama, with the inevitable starring teacher and a student or two who causes trouble, either literally or of the illicit love type. Then there is the immigrant story, especially an illegal, and the necessary subterfuges and adaptations all around. So the main character, Bachir, is a newly arrived Algerian immigrant who lands, by charm and perseverance, a job as a teacher in the a Montreal school. He is replacing a woman who committed suicide by hanging herself in her classroom (with the students at recess).
All this is told quickly, with high drama of course (suicide is none but). And there is a tragic desperation injected right away. Even the students carry this on, traumatized and yet still children, fussing and jerking their way forward in their own odd (and lovable) ways.
So the teacher adjusts, slowly, getting to the know the students and their psychological trappings. He also is coming to terms with his own situation (a couple of dull immigration meetings are shown, and though maybe necessary, maybe not). Other teachers watch and sometimes help, or try to get to know him. He meanwhile wins over the reclucant class of kids.
I'm actually telling a bit of the story and leaving out what matters most—the compelling leading man, who is a show of his own, restrained and awkward and sympathetic. But I'm also letting on that these events are one we've seen many times before. There are some small twists, and there is a high level of steady (and sincere) competence at work, but we do have a familiar tale at the bottom.
Well done? Yes. Commanding? Mostly, yes. Moving and new? Sometimes. It's worth seeing if you like low key, serious, contemporary films.