This is a spectacular piece of British cinema only made better by the lack of Hugh Grant and Richard Curtis.
Ben Kingsley portrayal of a nasty bastard is amazing his delivery is to the point and scary, His character has a slight smile and staring eyes that drill into you and talking himself into a frenzy makes him even more horrible to cope with.
What is shown in this film is very quick editing combined with sound continuity so the cuts are invisible and unintrusive, strong use of colour, using a low key to make even the sun of Spain seem dark and a style unseen before, the lack of cliché ridden cockney slang makes this film even more credible.
When the film first starts we get a dream like underwater shot which you are not expecting, a metaphor for 'living the dream' possibly, but throughout the film the increasing amount of surrealism adds another layer to this almost perfect British gangster film.
Ben Kingsley portrayal of a nasty bastard is amazing his delivery is to the point and scary, His character has a slight smile and staring eyes that drill into you and talking himself into a frenzy makes him even more horrible to cope with.
What is shown in this film is very quick editing combined with sound continuity so the cuts are invisible and unintrusive, strong use of colour, using a low key to make even the sun of Spain seem dark and a style unseen before, the lack of cliché ridden cockney slang makes this film even more credible.
When the film first starts we get a dream like underwater shot which you are not expecting, a metaphor for 'living the dream' possibly, but throughout the film the increasing amount of surrealism adds another layer to this almost perfect British gangster film.