With the animation short "Harvie Krumpet" (2003) creator Adam Elliot made his points - that stopmotion isn't out, that you can make a serious, heartbreaking and at the same time hysterically funny film about Tourette's Syndrome, and that the results of such an effort are indeed Oscar worthy. - Fast forward to 2009: Do Oscar winner Elliot's established points work in a feature film as well that has been five years in the making? Yes, even more so. "Mary and Max", the unlikely friendship of a neglected misfit Australian eight year old girl and her middle aged pen pal from New York suffering from Asperger syndrome is definitely a highlight story-wise and animation-wise, and even excels oddball "Harvie" by a mile.
It all starts with chocolate being sent innocently across the ocean and a child's harmless questions being answered by a total stranger who doesn't have a grip on reality himself, but tries anyway. However, as this is no Pixar or Studio Ghibli film be prepared for the dark side of things to emerge when Mary grows older, Max fatter, and the relationship becomes strained and whole existences are being threatened. Fear not however, as form and content match the development beautifully and pull you in with charm, wit and pitch-perfect musical accompaniments that add flair and pace. The juxtaposition of the two different worlds is highly effective with New York in black and white and Mary's Australia in color but toned down. The latter appears more alive, Max on the other hand always follows regular routines: his life gets turned upside down only when a letter arrives, but deaths and lottery wins count only as footnotes. Not to forget: Phillip Seymour Hoffman (as the voice of Max) gives a first rank performance with side-splitting one-liners that could be enshrined for eternity. To sum it up: Elliot's second effort is bittersweet and complex, fluctuating between light and dark humor, but hilarious all around, full with well packaged social commentary, but most of all has a lot of warmth and depth, building up to an intense unforgettable finale. "Mary and Max" is a clearly adult themed animation pearl, an emotional roller coaster ride. Not the typical feel good animation fare, but one that will sweep you off your feet with its very own and rather unique means.
It all starts with chocolate being sent innocently across the ocean and a child's harmless questions being answered by a total stranger who doesn't have a grip on reality himself, but tries anyway. However, as this is no Pixar or Studio Ghibli film be prepared for the dark side of things to emerge when Mary grows older, Max fatter, and the relationship becomes strained and whole existences are being threatened. Fear not however, as form and content match the development beautifully and pull you in with charm, wit and pitch-perfect musical accompaniments that add flair and pace. The juxtaposition of the two different worlds is highly effective with New York in black and white and Mary's Australia in color but toned down. The latter appears more alive, Max on the other hand always follows regular routines: his life gets turned upside down only when a letter arrives, but deaths and lottery wins count only as footnotes. Not to forget: Phillip Seymour Hoffman (as the voice of Max) gives a first rank performance with side-splitting one-liners that could be enshrined for eternity. To sum it up: Elliot's second effort is bittersweet and complex, fluctuating between light and dark humor, but hilarious all around, full with well packaged social commentary, but most of all has a lot of warmth and depth, building up to an intense unforgettable finale. "Mary and Max" is a clearly adult themed animation pearl, an emotional roller coaster ride. Not the typical feel good animation fare, but one that will sweep you off your feet with its very own and rather unique means.