DOCTOR DOLITTLE (1967) is what a "family classic" should be. Entertaining the whole way through, with catchy and witty songs, colorful performances, plenty of cute animals, and a script packed with imagination and a sense of fun.
DOLITTLE was a favorite in my family, and I grew up watching it on a VHS we'd taped from an old television broadcast. To me Rex Harrison was always "Doctor Dolittle", even though the film came late in his career. When I discovered his earlier film work, I was amused at seeing a "young Doctor Dolittle". So my views may be colored by nostalgia, although I recently saw the movie in its entirety for the first time in many, many years and found it to be great fun.
The story has the feel of an episodic adventure, taking our heroes to different places and having them do different things. This keeps the audience engaged throughout the nearly two and a half hour running time. Doctor John Dolittle (Rex Harrison) is a physician in 1840s England who is more interested in the various species of animals than in his human patients. So he becomes a strictly animal doctor (veterinarian) and, with the help of his genius pet parrot, learns hundreds of animal dialects. The various side-adventures in this film are all in service of Dolittle's quest to find a mythical giant pink sea snail. First he showcases a rare two-headed llama (a "pushmi-pullyu") at a circus until he can earn enough money to set sail. From there come legal complications, a jail break plot, adventure on the high seas, and still more fun on an exotic "floating" island.
Harrison gives a signature performance as the good doctor. Dolittle's a very kind fellow whose ideas about treating animals with as much respect as humans (and his practice of fitting short-sighted horses with glasses, for example) run counter to the prevailing minds of his "civilized" community. The man's an eccentric genius who doesn't fit in with human society. Harrison's portrayal gives Dolittle the amusing peculiarities of an absent-minded professor. His performance is pretty funny in an understated way.
Singer-songwriter-actor Anthony Newley plays Irishman Matthew Mugg, one of Dolittle's few friends who, along with young Tommy Stubbins (William Dix), accompanies the doctor on his adventures. Matthew introduces Stubbins (and the audience) to the wonderful world of Doctor Dolittle, and the two "ordinary" characters act as proxies for the audience amid the fantastical happenings that seem to follow Harrison's character wherever he goes.
Lovely Samantha Eggar plays Emma Fairfax (affectionately known to Matthew as "Fred"), who first sides against Dolittle, but comes to be enchanted by the life he leads. Miss Fairfax is meant to give the film a romantic subplot, but the intended romance is a bit confusing (surely Rex Harrison is much too old for Eggar).
Richard Attenborough gives a tremendous, high-energy performance as Blossom, the owner of the circus. I love seeing him bounce around as he sings "I've Never Seen Anything Like It". Caribbean actor Geoffrey Holder (LIVE AND LET DIE) is great as the surprisingly literate tribal chief on the floating island.
The songs by Leslie Bricusse are delightful. "Talk To The Animals" is a classic. "My Friend The Doctor" is contagiously joyful. I think the lyrics are particularly well-done on numbers like "I've Never Seen Anything Like It" and "Like Animals".
The world of DOCTOR DOLITTLE is unforgettable. A mild-mannered Englishman travels the world in his top hat, conversing with dogs, pigs, whales, fish, horses, chimpanzees, seals, and elephants. It's a world of dancing two-headed llamas, centenarian parrots educated in thousands of animal languages (including "dead" languages like dodo and unicorn), islands that move about the globe, and giant moths that fly back and forth between the Earth and the moon (constantly attracted to the other's light). The script is clever and imaginative. Several scenes stand out: the horse eye exam, the circus, the cunning seal escape, the absurd shipwreck, the tribal execution, the pink sea snail.
Having now seen the film as an adult, and finding the experience thoroughly charming, I can't believe how lowly regarded it is. DOCTOR DOLITTLE entertains from beginning to end with a sense of wonder, a sense of adventure, and a sense of humor. Rex Harrison anchors a solid cast and the songs are great. The movie is something unique. Something original and self-contained. Where else will you see a whale pushing an entire island across the ocean? Or a dog giving testimony in court? Or a tribe of natives performing Shakespeare? It's a family classic. What's not to like?
I may have been pre-conditioned since childhood to like this film, but some of the criticism seems a bit over-the-top, stemming from dissatisfaction with the film's Oscar attention. Even if you don't enjoy roadshow-length family musicals, you must admit that the production is impressive from a technical standpoint (the sets, the cinematography, the special effects, the animal wrangling).
I actually like DOCTOR DOLITTLE, directed by Richard Fleischer (20,000 LEAGUES UNDER THE SEA), better than its popular contemporary CHITTY CHITTY BANG BANG. The latter is fun despite its weaknesses, but DOLITTLE is something wonderful.
DOLITTLE was a favorite in my family, and I grew up watching it on a VHS we'd taped from an old television broadcast. To me Rex Harrison was always "Doctor Dolittle", even though the film came late in his career. When I discovered his earlier film work, I was amused at seeing a "young Doctor Dolittle". So my views may be colored by nostalgia, although I recently saw the movie in its entirety for the first time in many, many years and found it to be great fun.
The story has the feel of an episodic adventure, taking our heroes to different places and having them do different things. This keeps the audience engaged throughout the nearly two and a half hour running time. Doctor John Dolittle (Rex Harrison) is a physician in 1840s England who is more interested in the various species of animals than in his human patients. So he becomes a strictly animal doctor (veterinarian) and, with the help of his genius pet parrot, learns hundreds of animal dialects. The various side-adventures in this film are all in service of Dolittle's quest to find a mythical giant pink sea snail. First he showcases a rare two-headed llama (a "pushmi-pullyu") at a circus until he can earn enough money to set sail. From there come legal complications, a jail break plot, adventure on the high seas, and still more fun on an exotic "floating" island.
Harrison gives a signature performance as the good doctor. Dolittle's a very kind fellow whose ideas about treating animals with as much respect as humans (and his practice of fitting short-sighted horses with glasses, for example) run counter to the prevailing minds of his "civilized" community. The man's an eccentric genius who doesn't fit in with human society. Harrison's portrayal gives Dolittle the amusing peculiarities of an absent-minded professor. His performance is pretty funny in an understated way.
Singer-songwriter-actor Anthony Newley plays Irishman Matthew Mugg, one of Dolittle's few friends who, along with young Tommy Stubbins (William Dix), accompanies the doctor on his adventures. Matthew introduces Stubbins (and the audience) to the wonderful world of Doctor Dolittle, and the two "ordinary" characters act as proxies for the audience amid the fantastical happenings that seem to follow Harrison's character wherever he goes.
Lovely Samantha Eggar plays Emma Fairfax (affectionately known to Matthew as "Fred"), who first sides against Dolittle, but comes to be enchanted by the life he leads. Miss Fairfax is meant to give the film a romantic subplot, but the intended romance is a bit confusing (surely Rex Harrison is much too old for Eggar).
Richard Attenborough gives a tremendous, high-energy performance as Blossom, the owner of the circus. I love seeing him bounce around as he sings "I've Never Seen Anything Like It". Caribbean actor Geoffrey Holder (LIVE AND LET DIE) is great as the surprisingly literate tribal chief on the floating island.
The songs by Leslie Bricusse are delightful. "Talk To The Animals" is a classic. "My Friend The Doctor" is contagiously joyful. I think the lyrics are particularly well-done on numbers like "I've Never Seen Anything Like It" and "Like Animals".
The world of DOCTOR DOLITTLE is unforgettable. A mild-mannered Englishman travels the world in his top hat, conversing with dogs, pigs, whales, fish, horses, chimpanzees, seals, and elephants. It's a world of dancing two-headed llamas, centenarian parrots educated in thousands of animal languages (including "dead" languages like dodo and unicorn), islands that move about the globe, and giant moths that fly back and forth between the Earth and the moon (constantly attracted to the other's light). The script is clever and imaginative. Several scenes stand out: the horse eye exam, the circus, the cunning seal escape, the absurd shipwreck, the tribal execution, the pink sea snail.
Having now seen the film as an adult, and finding the experience thoroughly charming, I can't believe how lowly regarded it is. DOCTOR DOLITTLE entertains from beginning to end with a sense of wonder, a sense of adventure, and a sense of humor. Rex Harrison anchors a solid cast and the songs are great. The movie is something unique. Something original and self-contained. Where else will you see a whale pushing an entire island across the ocean? Or a dog giving testimony in court? Or a tribe of natives performing Shakespeare? It's a family classic. What's not to like?
I may have been pre-conditioned since childhood to like this film, but some of the criticism seems a bit over-the-top, stemming from dissatisfaction with the film's Oscar attention. Even if you don't enjoy roadshow-length family musicals, you must admit that the production is impressive from a technical standpoint (the sets, the cinematography, the special effects, the animal wrangling).
I actually like DOCTOR DOLITTLE, directed by Richard Fleischer (20,000 LEAGUES UNDER THE SEA), better than its popular contemporary CHITTY CHITTY BANG BANG. The latter is fun despite its weaknesses, but DOLITTLE is something wonderful.