7/10
Charming and depressing at the same time
20 September 2013
Warning: Spoilers
Sixteen-year-old Lucy (Sarah Bolger) is a tomboy. She gets on well with her father (James Marsden) but is frequently separated from him for months on end when he goes to work in Canada. Her relationship with her mother (Claire Danes) is easy-going and she takes care of most things around the house. She tunes into her sexuality and her not so 'stable' family dynamics. She develops a relationship with her best friend Kenny (Thomas Mann) and starts to realize that her parents' marriage is not as solid as she had previously imagined. She notices that her father's extended stays away from the family are not typical, and that her mother does not pine for her father as much as she herself does.

After watching this movie, I feel like Sarah Bolger is a naturally talented actress. She can hold your attention the entire time she's on screen. The rest of the actors are all fine. This is a small compelling chapter in a young girl's life. Lucy doesn't shun the mainstream stereotypical look of girls, as much as she naturally develops into her own person with her own traits. She realizes that she doesn't have a 'stable' family per se and that she may be the only adult in her family. The parents, their actions, struggles, the guys at school, her falling in mutual love with the one person she knows she can trust outside of her family, her love for cooking, everything is quite realistic and a little depressing at times.

Most of the characters are nuanced and as the story progresses, their outbursts come naturally. Each one is given enough time and material to let their personalities come through. Their actions aren't glorified, but neither are they demonized. It just comes off as understandable. Rape is one thing I simply cannot stand and Lucy should have made a complaint to make the boy pay, but we have seen/heard of that course of inaction a lot of times in real life. Her father telling the story of a mutilated saint just came off as ignorant of reality, but also highlighted his upbringing and the guilt he felt for having a child at such a young age. After Roger Ebert's passing, there's only one critic that I trust. He hasn't reviewed this movie, but I fail to understand the disdain and vitriol spewed against this charming coming of age tale by most of the other self-anointed 'critics'. This isn't a path-breaking tale, but it doesn't mean it doesn't have its own appeal.

6.5/10
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