The Pacific theater of the second world war is often characterized by a number of such decisive battle fields as Guadalcanal, Iwo Jima, and Okinawa. The Railway Man is a reminder of the madness of war that reached beyond those well-known battle fields and the profound effects it had on individuals who fought in the Southeast Asia region.
Colin Firth embodies the suffering of Eric Lomax, a veteran who still experiences post-traumatic nightmares decades after the war. Nicole Kidman plays his wife Patti with utmost grace and compassion, and Stellan Skarsgård's portrayal is nothing short of perfection as he plays the fellow veteran who is also torn by his friend's immeasurable pain. Rounding out the strong performances is Hiroyuki Sanada's Nagase, a former translator of the Imperial Japanese Army who took considerable part in Eric's torture.
While the flashback scenes led by younger actors (Jeremy Irvine and Tanroh Ishida) could use some improvements, the current post-war scenes are recreated to near perfection with mature performances from the more experienced cast members. It is also noteworthy that the film does not hesitate for a moment to refute the wrong notion associated with "tragedy of war," a term often misused to make a war sound as if it were a mere chance event and not a product of malice. The film makes it clear the pain inflicted upon Eric Lomax is nothing but an act of crime, and from that accord comes an unusual relationship between two former enemies that only a film based on a true account can deliver.
Colin Firth embodies the suffering of Eric Lomax, a veteran who still experiences post-traumatic nightmares decades after the war. Nicole Kidman plays his wife Patti with utmost grace and compassion, and Stellan Skarsgård's portrayal is nothing short of perfection as he plays the fellow veteran who is also torn by his friend's immeasurable pain. Rounding out the strong performances is Hiroyuki Sanada's Nagase, a former translator of the Imperial Japanese Army who took considerable part in Eric's torture.
While the flashback scenes led by younger actors (Jeremy Irvine and Tanroh Ishida) could use some improvements, the current post-war scenes are recreated to near perfection with mature performances from the more experienced cast members. It is also noteworthy that the film does not hesitate for a moment to refute the wrong notion associated with "tragedy of war," a term often misused to make a war sound as if it were a mere chance event and not a product of malice. The film makes it clear the pain inflicted upon Eric Lomax is nothing but an act of crime, and from that accord comes an unusual relationship between two former enemies that only a film based on a true account can deliver.