Review of Saratoga

Saratoga (1937)
7/10
This nag's a bit of a gluefoot
20 August 2013
Ordinary comedy would have been a cinematic footnote and a stop gap for Gable and Harlow before their next scheduled pairing on loan to Fox for the much more worthwhile In Old Chicago if not for Jean's sudden death. Instead it ended up becoming the second most profitable film of 1937 and a notorious cash grab for Metro.

Not really a bad film but hardly the best film on any of the actors resumes. Other than the ghoulish, rather easy, game of spotting the scenes filmed after Jean's passing with a stand-in the film is packed with great character actors and actresses doing good work. Of particular note is Una Merkel, sassy and smart as an old crony of Gable's. Jean's part is one that's far away from her more famous early persona as a brassy good time girl but in line with the more refined lady-like roles Mayer was moving her towards after Irving Thalberg's death and which she had been transitioning to nicely. Considering the fact that it's an incomplete performance she is fine in her role, she looks weary and a bit bloated throughout not surprisingly since unbeknownst to all her kidneys were failing.

Her death actually caused great upheaval in many films that were in development at the time changing the course of many careers. She and Gable were to head over to Fox for In Old Chicago which proved a boon to Alice Faye and Tyrone Power. For their services Shirley Temple was to be loaned to MGM for the Wizard of Oz, when that fell through of course Judy Garland was cast pulling her out and Ann Rutherford in to the small part of Carreen in GWTW. Also among many other planned projects Maisie, originally planned as an A production but moved to the B unit after the loss of Jean, was allocated to Ann Sothern so successfully that it started her on a series that ran, between other films, almost ten years.
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