Criticisms of the slow-pace of BEHOLD A PALE HORSE fall in line with complaints of the lack of twist-off caps on fine bottles of wine. If patience has no virtue, you won't enjoy this film. Zinnemann's nuanced layering of mood, theme, and character requires appreciation of things developed over time.
A vintage rarely tasted these days (to further exploit the wine motif), Zinnemann shot this film in black-and-white, and it only enhances the shading of elements. The effect gives it a look concomitant with its complex characters who go through the angst of spiritual and emotional transformation. And the cast had to delight in Zinnemann's decision to let them exercise their art: acting. Imagine Atticus Finch telling Jem to shut up and then slapping the lad "upside the head." Yet here's good-guy Peck abandoning type and stepping into the character of Artiguez, an angry man who delivers such a blow to a boy (about Jem's age), knocking him down onto the street.
BEHOLD A PALE HORSE delivers so much more than most films in that it compliments the entire palate of the viewer's intellect. That makes for a very good film. That takes time.
A vintage rarely tasted these days (to further exploit the wine motif), Zinnemann shot this film in black-and-white, and it only enhances the shading of elements. The effect gives it a look concomitant with its complex characters who go through the angst of spiritual and emotional transformation. And the cast had to delight in Zinnemann's decision to let them exercise their art: acting. Imagine Atticus Finch telling Jem to shut up and then slapping the lad "upside the head." Yet here's good-guy Peck abandoning type and stepping into the character of Artiguez, an angry man who delivers such a blow to a boy (about Jem's age), knocking him down onto the street.
BEHOLD A PALE HORSE delivers so much more than most films in that it compliments the entire palate of the viewer's intellect. That makes for a very good film. That takes time.