Anton Yelchin is a very likable performer and Odd Thomas cashes in on his screen personality in spades. Stephen Sommers, who's been away from the directors chair for way too long, pens a witty and fresh screenplay that zips along and keeps the audience thoroughly entertained every step of the way.
The one liners are spouted fast and furiously, the dialogue sparkles and there are plot twists and turns a plenty. The film defies being classified into any one genre. It's a little horror, a little fantasy, a little science fiction and a little mystery, none of it boring or expositional.
It's also great to see Dafoe doing a little mainstream fluff piece for a change. But just as you think you know exactly where this film is going, it surprises you yet again and takes a U-turn in another direction. I realise the target market here are probably teens, but I must confess that I loved it.
A very solid 7 out of 10.
The one liners are spouted fast and furiously, the dialogue sparkles and there are plot twists and turns a plenty. The film defies being classified into any one genre. It's a little horror, a little fantasy, a little science fiction and a little mystery, none of it boring or expositional.
It's also great to see Dafoe doing a little mainstream fluff piece for a change. But just as you think you know exactly where this film is going, it surprises you yet again and takes a U-turn in another direction. I realise the target market here are probably teens, but I must confess that I loved it.
A very solid 7 out of 10.