The Factory (2012)
Well, this is a pretty well made movie with some terrible holes in the plot and the writing. So it ends up being just "stupid" in the way that you are pulled along and want to believe the plot and then it's just not believable. Those few large flaws blow out the whole movie.
Too bad. The photography in particular is really good. And the ambiance in snowy Buffalo is terrific. In fact, the constant snow and all the dark scenes with flashlights seems inspired by "Seven" where it's all rain and flashlights. "The Factory" however isn't as well made as a Fincher movie, naturally enough (few movies these days are). And the basic story here is a little contrived from the get-go, even without the holes in the plot.
The idea of a pair of cops pursuing a mysterious serial killer is a cliché of the movies, of course (including "Seven" which didn't invent the idea). And it could work here. A ridiculous coincidence halfway through throws the movie, and the characters, into a tizzy (one of the characters even bemoans his bad luck). But the basic whodunnit is intact and the great filming makes it pulse along pretty well.
The main character is John Cusack who holds his end up well--he's probably a better goofy dad than a relentless cop but he's decent at both. The supporting cast around him is good, though the female cop sidekick isn't especially compelling, just going through the paces of a female cop sidekick (this is Jennifer Carpenter). The daughter is another story, a surprisingly complex character and a good young actress (Mae Whitman, famous for her role in "Parenthood" more than anything, I think). It's not a bad cast.
In fact, the film has the bones of being excellent. It's the story, and the specific writing that went into the story, that kills it. No pun intended.
Well, this is a pretty well made movie with some terrible holes in the plot and the writing. So it ends up being just "stupid" in the way that you are pulled along and want to believe the plot and then it's just not believable. Those few large flaws blow out the whole movie.
Too bad. The photography in particular is really good. And the ambiance in snowy Buffalo is terrific. In fact, the constant snow and all the dark scenes with flashlights seems inspired by "Seven" where it's all rain and flashlights. "The Factory" however isn't as well made as a Fincher movie, naturally enough (few movies these days are). And the basic story here is a little contrived from the get-go, even without the holes in the plot.
The idea of a pair of cops pursuing a mysterious serial killer is a cliché of the movies, of course (including "Seven" which didn't invent the idea). And it could work here. A ridiculous coincidence halfway through throws the movie, and the characters, into a tizzy (one of the characters even bemoans his bad luck). But the basic whodunnit is intact and the great filming makes it pulse along pretty well.
The main character is John Cusack who holds his end up well--he's probably a better goofy dad than a relentless cop but he's decent at both. The supporting cast around him is good, though the female cop sidekick isn't especially compelling, just going through the paces of a female cop sidekick (this is Jennifer Carpenter). The daughter is another story, a surprisingly complex character and a good young actress (Mae Whitman, famous for her role in "Parenthood" more than anything, I think). It's not a bad cast.
In fact, the film has the bones of being excellent. It's the story, and the specific writing that went into the story, that kills it. No pun intended.