The Maid (2009)
In some ways this film is extraordinary. It's small, limited in its setting, and it has a slightly predictable inevitability. But it is so seeringly well acted and filmed with an honest small budget honesty, it's hard not to appreciate. It also deals with a huge issue in many countries--the use of household help, often now from other, poorer countries, and the ironies and sadness that goes with this class structure.
Catalina Saavedra is "the maid" in this, and like the leading role in the even more astonishing "The Hedgehog" we get inside this person's modest and seemingly invisible persona to really get them, or part of them, for a brief spell. It's moving--it made me cry--and revealing. It's not like we don't know that live-in maids lead an unfair, often unhappy life (which they disguise from their employers). But we aren't often faced with it so plainly.
This also is revealing about the standard of living in Chile, which is one of the two or three South American countries fully above the "third world" status you might think at first. The fact it did so well in the United States (earning half a million dollars) is not because it was a glimpse of a foreign impoverished country, but because it resembled so well the situation in American households. Those with maids.
See this? Yes, certainly. It has a simple cinema-verite style, not quite home movies but shot almost entirely inside the house in a shaky camera. The plot might not be enough for some viewers--after awhile it is what it is without a lot of complications. Or at least not complications we haven't seen before. What carries it is the sincerity of the performances, especially Saavedra's.
In some ways this film is extraordinary. It's small, limited in its setting, and it has a slightly predictable inevitability. But it is so seeringly well acted and filmed with an honest small budget honesty, it's hard not to appreciate. It also deals with a huge issue in many countries--the use of household help, often now from other, poorer countries, and the ironies and sadness that goes with this class structure.
Catalina Saavedra is "the maid" in this, and like the leading role in the even more astonishing "The Hedgehog" we get inside this person's modest and seemingly invisible persona to really get them, or part of them, for a brief spell. It's moving--it made me cry--and revealing. It's not like we don't know that live-in maids lead an unfair, often unhappy life (which they disguise from their employers). But we aren't often faced with it so plainly.
This also is revealing about the standard of living in Chile, which is one of the two or three South American countries fully above the "third world" status you might think at first. The fact it did so well in the United States (earning half a million dollars) is not because it was a glimpse of a foreign impoverished country, but because it resembled so well the situation in American households. Those with maids.
See this? Yes, certainly. It has a simple cinema-verite style, not quite home movies but shot almost entirely inside the house in a shaky camera. The plot might not be enough for some viewers--after awhile it is what it is without a lot of complications. Or at least not complications we haven't seen before. What carries it is the sincerity of the performances, especially Saavedra's.